THE MUTUAL ADMIRATION between storytellers Zadie Smith and Toyin Ojih Odutola is palpable. The British novelist has written about the Nigerian-born visual artist’s work for British Vogue and contributed an essay to her forthcoming catalog, “Toyin Ojih Odutola: A Countervailing Theory,” which will accompany a show at the Barbican Centre in London, the artist’s...
“Souvenir II” (1997) by Kerry James Marshall The following review of the past week or so presents a snapshot of the latest news in African American art and related black culture: Seattle Gallerist Mariane Ibrahim is Headed to Chicago After operating her eponymous gallery in Seattle for seven years, Mariane Ibrahim has decided...
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Los Angeles: 9 Museum Exhibitions Explore Alice Coltrane, María Magdalena Campos-Pons, Ben Caldwell and KAOS Theory, 21st Century Black Diasporas & More
From the Archives: Shrouds and Spirit Catchers: Woven Paintings by Alonzo Davis are Layered with Personal Meaning and Cultural Symbolism
Black Art History: Jacob Lawrence’s Narrative Series About Black Perseverance and American Rebellion Inspired a Cache of Children’s Books
Culture Type: The Month in Black Art, Here’s What Happened in January 2025
Acquisition: Martin Luther King Jr. Bust by Elizabeth Catlett is ‘Majestic and Commanding Portrait’ of Civil Rights Leader
Moving On Up: 24 Museum Curators and Arts Leaders Who Took on New Appointments in Second Half of 2024
From the Archives: AIA Recognizes Legacy of African American Architect Paul R. Williams with Gold Medal Awarded Nearly 40 Years After His Death
International Curator Koyo Kouoh Tapped to Organize 2026 Venice Biennale, She is ‘Ecstatic’ and Called it a ‘Momentous Mission’
Arthur Jafa: ‘I Think Being Black in a White Supremacist Environment is Fascinating, Often Fun, Generally Harrowing’
From the Archives: At Glenstone Museum, Glenn Ligon’s Neon ‘Warm Broad Glow’ is a Welcome Beacon
From the Archives: Ernie Barnes Retrospective Brings Renewed Attention to African American Artist Who Found Fame After Playing Pro Football
From the Archives: Beginning in Late 1950s, African American Painters Known as ‘Highwaymen’ Captured Florida’s Natural Landscapes
From the Archives: National Portrait Gallery: Titus Kaphar and Ken Gonzales-Day Explore ‘UnSeen’ Narratives in Historic Portraiture