Posts tagged "William H. Johnson"
On View presents images from noteworthy exhibitions WILLIAM H. JOHNSON, “Sunset, Denmark,” circa 1935-38 (oil on canvas). | Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.818 A SURGE OF AFRICAN AMERICAN ARTISTS went to Paris in the 1920s and 30s and a second wave arrived in the post-World War II era....
ROBERT S. SCURLOCK, Marian Anderson’s Easter concert at the Lincoln Memorial, April 9, 1939 (negative). | Scurlock Studio Records, Archives Center, National Museum of American History, Smithsonian Institution FROM THE STEPS of the Lincoln Memorial in Washington, D.C., Marian Anderson (1897-1993) gave a memorable concert on April 9, 1939. The contralto singer opened with...
MUSEUMS ACROSS THE NATION are surveying more than 150 years of African African American art. Coinciding with Black History Month, the exhibitions engage a spectrum of themes, presenting an expansive look at Black artistic production. From Sacramento, Calif., to Cincinnati, Ohio, Charlotte, N.C., and New York City, the exhibitions highlight the work of women artists,...
STAYING CLOSE TO HOME over the past year, due to COVID-19, has breathed new life into a traditional past time. An entertaining way to pass the hours and relieve stress, jigsaw puzzles are more popular than ever. Several focus on signigicant works by important 20th century African American artists such as Charles White, Alma...
ACTIVE FOR ABOUT TWO DECADES, American artist William H. Johnson (1901-1970) made paintings in two distinct styles over the course of his career. Living in Europe from the mid-1920s to 30s, he developed a modern aesthetic making expressive and moody landscapes and later took an interest in folk art and what he called a...
THE LATEST SALE of African-American Fine Art at Swann Auction Galleries resulted in auction records for several living women artists, including Simone Leigh, Emma Amos and Howardena Pindell. In addition, works by Sonya Clark and Allison Janae Hamilton appeared at auction for the first time and established benchmarks well above their estimates. Lot 171:...
CHARLES WHITE, “Love Letter,” 1971 SHORTLY AFTER ‘CHARLES WHITE: A RETROSPECTIVE’ opens at the Art Institute of Chicago, a 2019 wall calendar will be released featuring his work. Published by Pomegranate in collaboration with the Smithsonian American Art Museum (SAAM), the African American art calendar features Charles White‘s “Love Letter” (1971) on the...
BEAUFORD DELANEY, “Untitled (Village Street Scene),” 1948 APPLAUSE SWEPT THROUGH THE SALESROOM when a colorful mid-career canvas by Norman Lewis soared to $725,000*, three times the estimate. Bidders also clapped when a village street scene painted by Beauford Delaney (above) and “O Freedom,” a large-scale charcoal and crayon drawing by Charles White reached half...
TREASURED WORKS BY African American artists Alma Thomas and William H. Johnson are on view outside the Smithsonian’s American Art Museum (SAAM). With the help of the public, the works were selected to grace the new banners hanging at the museum’s entrances. “The Eclipse” (1970) by Thomas and “Flowers” (1939-40) by Johnson greet visitors...
KARA WALKER, “40 Acres of Mules,” 2015 THE MUSEUM OF MODERN ART’S collection boasts dozens of new additions by African American artists. Over the past two years the museum has acquired paintings by Mark Bradford, Kerry James Marshall, Chris Ofili, and Faith Ringgold; drawings by Palmer Hayden, Adrian Piper, and Kara Walker; sculptures by...
President Obama narrates a look inside his art-filled White House residence. | Obama White House Video IN OCTOBER, PRESIDENT OBAMA hosted “Love & Happiness: A Musical Experience,” the last of many, many musical performances staged at the White House during his two terms. “Over the past eight years, Michelle and I have set aside...
RECREATING SIGNATURE IMAGES from African American artists Aaron Douglas and William H. Johnson, the latest edition of The New Yorker pays tribute to the Schomburg Center for Research in Black Culture. The Feb. 22 cover by Los Angeles-based illustrator Kadir Nelson is an ensemble image featuring Harlem’s towering figures of the arts and letters,...
JACOB LAWRENCE COMPLETED “The Life of Toussaint L’Ouverture,” his first series of historic narrative paintings in 1938. It was the same year Talladega College commissioned Hale Woodruff to paint a series of murals depicting the Amistad uprising. Both projects document pivotal moments in black diasporic history and demonstrate the immense talent of important 20th century...
DEBORAH GRANT GIVES A GOOD INTERVIEW. She is candid and forthcoming about her journey as an artist as well as her views of the art world’s racial fault lines. Born in Toronto, she lives and works in New York, where her exhibition, “Christ You Know it Ain’t Easy,” was on view earlier this year at...
MUST-SEE EXHIBITION openings and interesting talks and appearances happening this week in black art: May 19, 2014 @ 7 p.m. Conversations on Art: Dawoud Bey at Whitney Museum | New York Images from Dawoud Bey‘s “The Birmingham Project” (shown above) are on view at the Whitney Biennial. Marking the 50th anniversary of 16th...
THIS SUMMER, BILLBOARDS boasting images by artists Glenn Ligon, Jacob Lawrence or Kerry James Marshall may give your road trip an unexpected dose of culture. Across the nation, the huge elevated outdoor billboards that usually advertise soft drinks, automobiles and the latest reality show, will be “marketing” art selected from museums across the United...
THE AFRICAN AMERICAN ART MARKET experienced a sea change seven years ago when Swann Auction Galleries began dedicating sales to African American fine art. Few auction records existed for African American artists at the time. Most sales were handled privately by galleries and dealers, making values hard to discern because prices were not disclosed to...
NUDE FROM THE WAIST UP, Eldzier Cortor‘s vision of Black female beauty made quite a statement in 1946 when it was showcased in Life magazine. While other Black artists, preoccupied with racial uplift, generally portrayed Black women in morally unambiguous circumstances, Cortor embraced the natural beauty and power of their bodies. In his view, dignity...