Posts tagged "Soul of a Nation"
MANY POPULAR AFRICAN AMERICAN ARTISTS are making versions of their work more accessible through objects and products sold at museums and other outlets. A box of artist-inspired notecards, an artful calendar, or a new coffee table book makes the perfect gift. In November, “Soul of a Nation: Art in the Age of Black Power”...
Curator Zoé Whitley THE BRITISH PAVILION at the 58th Venice Biennale features a new body of work by Irish artist Cathy Wilkes. Conceptual and figurative sculptures, a spare selection of household objects, and abstracted landscape paintings are installed in a series of six pristine galleries flooded with natural light. She’s created narrative moments and...
“What’s Goin On” (1974) by Barkley L. Hendricks A SECOND CALIFORNIA STOP has been added to the “Soul of a Nation: Art in the Age of Black Power” tour. The exhibition is headed to the de Young Museum in San Francisco, where it will open Nov. 9. “Soul of a Nation” presents about 150...
“Blood (Donald Formey),” 1975 by Barkley L. Hendricks “I’m most concerned about Barkley’s legacy now that he’s gone. I want more and more people to understand what all the hoopla’s about. He was a master painter and this is one of his greatest works.” — Collector Kenneth Montague IF YOU VISIT the Brooklyn...
IN MANY WAYS, 2018 was a watershed year for black artists. Overdue recognition of art by African American artists and black artists from throughout the world, continued to grow among collectors, curators, critics, scholars, and gallery owners. There were many indicators of the ever-expanding institutional and market interest. European attention on African American artists rose....
From left, “Bridge” by Glenn Kaino; Tommie Smith (center) and John Carlos at the 1968 Summer Olympics. THE CLENCHED FIST, a symbol of Black Power and strength in the face of adversity, is showing up in museums. The historic gesture reflects the current moment in which many groups, frustrated with the political climate and...
“Pittsburgh Memory” (1964) by Romare Bearden HOW SHOULD AFRICAN AMERICAN ARTISTS respond to the Civil Rights Movement? The question was central to the organization of Spiral, the New York artist collective formed in 1963 in advance of the March on Washington for Jobs and Freedom. The 15-member group including Romare Bearden, Norman Lewis, Reginald...
“Did the Bear Sit Under the Tree” (1969) by Benny Andrews THE INTERNATIONAL TOUR for “Soul of a Nation: Art in the Age of Black Power” has been extended. The exhibition will be on view at The Broad next March. The Los Angeles museum is the exhibition’s only West Coast venue and the show’s...
Johnson Publishing Library Archive at Rebuild Foundation, Chicago (April 23, 2016). | Photo by Victoria L. Valentine TODAY IS WORLD BOOK DAY, what are you reading? An exhibition catalog or critical text perhaps? Designated by the United Nations Educational, Scientific, and Cultural Organization (UNESCO), World Book and Copyright Day celebrates and promotes books, reading,...
POLITICS PAST AND PRESENT coursed through the art world in 2017. Issues of censorship and debates around who has the right to depict black bodies came to the fore. The biggest news stories, from White House machinations, gun violence, and immigration to the fate of Confederate monuments, racial division, and sexual harassment and assault revelations,...
SOME OF THE BEST ART BOOKS published this year focus on the past and the present. Exhibition catalogs such as “We Wanted a Revolution: Black Radical Women 1965-85” and “Soul of a “Nation: Art in the Age of Black Power,” and the scholarly publication “South of Pico: African American Artists in Los Angeles in...
THE BLACK POWER MOVEMENT was about strength, community, black identity, and self determination. All of these characteristics are present in “Black Unity” by Elizabeth Catlett. Created in 1968, Catlett’s powerful, wood sculpture covers of the latest issue of Artforum magazine. It’s been a tumultuous couple of weeks at Artforum. Knight Landesman, one of its...
Jack Whitten walks through “Soul of a Nation” at the Tate Modern and talks about his work and “present times” in America. | Video by Tate Modern NO STRANGER TO RACIAL DIVISION and political strife, Jack Whitten’s abstract canvases tackle weighty issues, confront hard truths, and consider the insights and sacrifices of important cultural...