GRAND SCALE narrative installations, figurative scenes produced as cut-paper silhouettes, brought early acclaim to Kara Walker more than 25 years ago. More recently, she has ventured into monumental public art. Her first foray was in 2014, when she created “A Subtlety,” her massive sphinx-like mammy figure, a sculpture covered entirely with sugar installed at...
LARRY WALKER, “Other Voices – Other Spaces: Urban Spirits, Wall Series,” 2007 (acrylic and mixed media on canvas). | Courtesy Sikkema Jenkins NEW YORK, N.Y. — There’s a framed box on the wall outside Sikkema Jenkins that announces the gallery’s exhibitions. Currently, it says “Larry Walker.” The Georgia-born artist is in the sunset of his...
AN ARTIST WHOSE WORK garners as much praise for its visual dexterity as it does intellectual debate for its historic and cultural provocation, Kara Walker has moved on from images of slavery and the antebellum South to explore symbols of the New Negro era. The newly published “Kara Walker: Dust Jackets for the Niggerati” complements...