Posts tagged "Sam Gilliam"
The best illustrated black art books of 2018. | Photo by Victoria L. Valentine THE INCREASED INTEREST among some museums in mounting exhibitions featuring the work of African American artists has translated into a growing number of catalogs published to document them, which is wonderful. Many of those catalogs made Culture Type’s 2018 list...
Sotheby’s is auctioning “Ancient Mentor I” (1985) by Jack Whitten on Nov. 14 in New York. | Video by Sotheby’s WORKS BY SOME OF THE MOST POPULAR, expensive, and critically recognized African American artists are featured in this week’s auctions at Sotheby’s, Christie’s, and Phillips in New York. Several lots will arrive at the...
“The Music of Color: Sam Gilliam, 1967-1973” recently opened in Basel, Switzerland. THE GALLERIES OF KUNSTMUSEUM BASEL are alive with color in the form of 45 abstract paintings by Sam Gilliam. “The Music of Color: Sam Gilliam, 1967-1973” is the Washington, D.C.-based artist’s first solo survey exhibition in a European museum. The show is...
Sam Gilliam’s 1969 painting, “Light Depth” will be added to the collection of the Hirshhorn Museum and Sculpture Garden. | Courtesy Corcoran Collection THE REMAINING ART from the Corcoran Gallery of Art has been distributed. More than 10,750 works were given away. Nearly all of it went to 22 institutions in Washington, D.C. The...
BEAUFORD DELANEY, “Untitled (Village Street Scene),” 1948 APPLAUSE SWEPT THROUGH THE SALESROOM when a colorful mid-career canvas by Norman Lewis soared to $725,000*, three times the estimate. Bidders also clapped when a village street scene painted by Beauford Delaney (above) and “O Freedom,” a large-scale charcoal and crayon drawing by Charles White reached half...
Lot 11: HURVIN ANDERSON, “Some People (Welcome Series),” 2004 (oil on canvas, 150 by 232 cm. 59 by 91 3/8 inches). | Estimate £600,000—£800,000 ($832,560-$1,110,080). | Sold for £850,000 ($1,179,460) Hammer Price – £1,029,000 GBP ($1,427,840) including fees A SIGNIFICANT PAINTING by Hurvin Anderson topped $1 million at Sotheby’s London on March 7. A...
Detail of SAM GILLIAM, Untitled, 1968 featured in Contemporary Curated at Sotheby’s New York, March 2, 2018 FOR MORE THAN HALF A CENTURY, Sam Gilliam has had a relatively successful practice by any measure with critical recognition, regular exhibitions, and representation in museum collections. Known for his expressive abstraction and fluid use of color,...
IN ANTICIPATION OF THE SPRING 2018 SALES at major auction houses in London this month, Culture Type is taking a look back at recent results at Sotheby’s. One of the benefits of observing auctions is the opportunity see works long held in private hands away from public view. The November 2017 Contemporary Day and...
“White River Fish Kill” (2017) by Nina Chanel Abney. PROSPECT.4 OPENS TO THE PUBLIC on Saturday. The international triennial features major exhibitions and inventive installations by more than 70 artists, including prominent artists of African descent, the late Barkley L. Hendricks, Derrick Adams, John Akomfrah, Hank Willis Thomas, Njideka Akunyili Crosby, Kahlil Joseph, Odili...
“Flight Into Egypt” (circa 1910) by Henry O. Tanner BUYERS AT THURSDAY’S African-American Fine Art auction at Swann Auction Galleries in New York expressed significant interest in modern and contemporary painting. There was a broad selection to choose from with multiple offerings by celebrated painters Ed Clark, Beauford Delaney, Sam Gilliam, Lois Mailou Jones,...
Artists Sam Gilliam and David C. Driskell. | © 2017 Board of Trustees, National Gallery of Art, Washington WASHINGTON, D.C. — The first time Lilian Thomas Burwell met Sam Gilliam, he told her if she wanted to be taken seriously as an artist she should get her own studio space. “He didn’t know me...
Detail of ALMA THOMAS, “Red Rose Cantata” 1973 (acrylic on canvas). | Courtesy National Gallery of Art Symposium gives a nod to Howard University and local artists, scholars and curators who shaped the field WASHINGTON, D.C. — For decades, Howard University in Washington, D.C., was at the center of the African American art world....
From left, Jefferson Pinder and Sam Gilliam THE HIRSHHORN MUSUEM and Sculpture Garden is honoring contemporary artists who live and work in Washington, D.C., including Sam Gilliam and Jefferson Pinder. After hosting two galas in New York, the Smithsonian museum is bringing its fundraising celebration home. In addition to Gilliam and Pinder, Linn Meyers,...
Julie Mehretu, “Looking Back to a Bright New Future” (2003). EARLY NEXT MONTH, major auction houses in New York and London are holding post-war and contemporary art sales. In anticipation of the first significant offerings of the year, Culture Type is assessing the state of art by Black artists. In recent years, a cluster...
Chicago-based McArthur Binion is among the artists invited to participate in the 57th Venice Biennial. HOW TIME FLIES. It certainly doesn’t seem like two years has elapsed since Nigerian-born Okwui Enwezor’s historic turn as artistic director of the 2015 Venice Biennale and “All the World’s Futures” featured more than 35 black artists, including Glenn...
RETROSPECTIVE is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. United States Artist Fellows for 2016 were announced, including Senga Nengudi and Stanley Whitney. Curatorial appointments were made at the Tang Teaching Museum and Chrysler Museum....
RETROSPECTIVE is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. This week, the Studio Museum in Harlem announced the recipient of its annual Joyce Alexander Wein prize; and art news outlets published lists of the most...
WADSWORTH JARRELL’s 1973 “Untitled (African Rhythm, Our Heritage)” achieved an artist’s record at Swann’s Oct. 6 sale of African American art. WHEN THE HAMMER CAME DOWN, a brief round of applause followed the sale of Wadsworth Jarrell‘s “Untitled (African Rhythm, Our Heritage).” The vibrant mixed-media painting sold for $78,000 ($97,500 including fees), more than...
RETROSPECTIVE is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. This week, highlights include news from Frieze London and the 1:54 Contemporary African Art Fair; sales of African and African American art at auctions in New York,...
RETROSPECTIVE is a review of the latest news and happenings related to art by and about people of African descent. This week, highlights include news that black women artists gathered in New York in solidarity with the Black Lives Matter movement. Also motivated by the movement, a group of black creative directors launched an initiative...