On View: See Images From ‘Black Dolls,’ Exhibition at New-York Historical Society Presents Unique View of Race, Representation, and Play
On View presents images from noteworthy exhibitions AFTER HER BRAVE AND HARROWING ESCAPE from enslavement, Harriet Jacobs was employed in New York by Nathaniel Parker Willis (1806-1867), a white, well-paid writer and magazine editor who worked with Edgar Allan Poe and Henry Wadsworth Longfellow. Jacobs, who titled her 1861 autobiography “Incidents in the...
Latest News in African American Art: New-York Historical Society Exploring Race in America, Frieze London Spotlighting Women Artists
Front row, from left, Melanie Keen, Amira Gad, and Zoe Whitley (second from right), are among the UK curators selecting women artists for a special section at Frieze London. | Photo by Tom Jamieson, Frieze London The following review of the past week or so presents a snapshot of the latest news in African...
Vilcek Prize Winner Nari Ward to Recreate ‘We the People’ Installation at New-York Historical Society on President’s Day
“We the People” at Barnes Foundation, 2016 SIX YEARS AGO, artist Nari Ward created a textile installation composed of nearly 1,000 shoe laces spelling out “We the People.” The work of art is particularly relevant today. The divisive political climate in the United States has awakened Americans anew to the values of democracy, importance...
Martin Luther King Jr., ‘Selma’ and the Images that Captured the 1965 Voting Rights March
Marchers on the way to Montgomery, Ala., as families watch from their porches, 1965 | Courtesy Stephen Somerstein WITHOUT THE IMAGES, the protracted fight for American civil rights is an abstract notion. The legal outcomes are tangible, but the untenable measures undertaken by countless foot soldiers in the pursuit of racial justice are brought...
