RETROSPECTIVE is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. This week, highlights include the announcement that the Detroit home of Rosa Parks will be repurposed as art; plans for a new museum in Nigeria and assessments...
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Latest News in Black Art: Anina Major Received Future Perfect Design Prize, Board Appointments at African Art Museum, Amy Sherald Covers Cultured Magazine & More
Latest News in Black Art: Ralph Lemon Now Repped by Paula Cooper Gallery, LACMA Fêted Simone Leigh, CFDA Honored Rachel Scott, Quincy Jones Has Died & More
From the Archives: For Faith Ringgold, the American Flag Has Always Been a Potent and Powerful Symbol
Arthur Jafa: ‘I Think Being Black in a White Supremacist Environment is Fascinating, Often Fun, Generally Harrowing’
From the Archives: Election Fervor: For 40 Years, ‘Teenie’ Harris Photographed Pittsburgh’s African American Community, Including Major Political Moments
From the Archives: Mixed Media: $2 Million Flag by David Hammons is a Work of Art, Political Statement, and Art World Commodity
From the Archives: At Glenstone Museum, Glenn Ligon’s Neon ‘Warm Broad Glow’ is a Welcome Beacon
Picturing White House Leadership: For Four Years, Photographer Lawrence Jackson Has Trained His Lens on VP Kamala Harris
Celebrating African American Art Throughout the Year, 2025 Calendars Focus on Richard Mayhew, Alma Thomas, Faith Ringgold, Romare Bearden, Feature Barkley Hendricks
Moving On Up: 35 Museum Curators and Arts Leaders Who Took on New Appointments in First Half of 2024
Culture Type: The 13 Best Black Art Books of 2023
From the Archives: Ernie Barnes Retrospective Brings Renewed Attention to African American Artist Who Found Fame After Playing Pro Football
From the Archives: Beginning in Late 1950s, African American Painters Known as ‘Highwaymen’ Captured Florida’s Natural Landscapes
From the Archives: National Portrait Gallery: Titus Kaphar and Ken Gonzales-Day Explore ‘UnSeen’ Narratives in Historic Portraiture