Posts tagged "Julie Mehretu"
Detail of Mark Bradford’s “Helter Skelter I” (2007). ART MARKET HISTORY WAS MADE earlier this month when “Helter Skelter I,” a monumental painting by Mark Bradford sold for $10.4 million (nearly $12 million, including fees) at Phillips London. The price was the highest-ever achieved at auction for a work by a living African American...
HOWARDENA PINDELL, Detail of “Oval Memory Series II: Castle Dragon,” 1980-81. LAST YEAR, ANDREA BOWERS was in conversation with Martha Rosler at the Dia Art Foundation. The two artists discussed “If You Lived Here…,” a project about homelessness and real estate in New York City Rosler presented at the Dia in 1989. Invited to...
THE FALL SEASON continues with an international slate of black artists presenting new and important work in the United States and abroad. The Whitney is hosting Toyin Ojih Odutola‘s first exhibition in a New York museum. A monumental exhibition of African design is making its U.S. debut at the High Museum in Atlanta. Njideka...
THE FALL EXHIBITION SEASON IS UNDERWAY and a wide variety of amazing shows featuring Black artists is on view in museums and galleries. This month, exhibitions featuring major figures and emerging talents opened across the United States and at international venues. Kara Walker, Barbara Chase-Riboud, Jordan Casteel, Kahlil Joseph, Chris Ofili, Adrian Piper, and...
FOR MORE THAN TWO DECADES, curators at the San Francisco Museum of Modern Art (SFMOMA) have been commissioning artists to create works for a pair of walls in its voluminous atrium. In 1997, Sol LeWitt was the first artist selected. Kerry James Marshall painted murals for the space in 2008. In anticipation of the...
MUST-SEE EXHIBITIONS featuring some of the most interesting black female artists working today are opening around the world this month. The first solo museum show of Los Angeles-based Martine Syms opens May 27 at the Museum of Modern Art in New York. In the same city, an amazing show of new portrait paintings by British...
Artists Njideka Akunyili Crosby and Julie Mehretu, Museum director Belinda Tate WOMEN ACCOUNT FOR 51 PERCENT of visual artists working today, according to the National Endowment for the Arts. The figure mirrors women’s representation in the U.S. population, which was 50.8 percent in 2015, based on Census statistics. The parity ends there. The National...
Julie Mehretu, “Looking Back to a Bright New Future” (2003). A MAJOR PAINTING by Julie Mehretu is on view in the contemporary art galleries at the Detroit Institute of the Arts (DIA). A symphony of line, color, and form, “Looking Back to a Bright Future” (2003) is on loan from a private collection for...
Julie Mehretu, “Looking Back to a Bright New Future” (2003). EARLY NEXT MONTH, major auction houses in New York and London are holding post-war and contemporary art sales. In anticipation of the first significant offerings of the year, Culture Type is assessing the state of art by Black artists. In recent years, a cluster...
FROM THE MOMENT Kerry James Marshall’s 35-year survey exhibition opened at MCA Chicago this spring, the artist has been praised with honors, his work has been lauded in the media, and his message has resonated. His years-long mantra, that in order to push the Western canon of art history in a more diverse and representational...
NOTHING BEATS LEAFING through the pages of a visually inspiring print publication, except perhaps that initial moment of spotting a compelling magazine cover on the newsstand or newly delivered to your mailbox. Over the past year, art magazines have selected winning cover images paying tribute to painter Kerry James Marshall, marking the historic opening...
RETROSPECTIVE is a review of the latest news and happenings related to art by and about people of African descent, with a few nods to culture thrown in. This week, highlights include news that President Obama created a national monument, will honor artists Jack Whitten and Ralph Lemon with the National Medal of Arts, and...
THE LIST OF HISTORY-MAKING firsts and groundbreaking achievements made by African American artists, and more recently curators, is endless, spanning probably as early as the 17th century to the present. The following briefly captures 10 milestones and a corresponding “where are they now” look at each of these important figures. ALMA THOMAS with...
TRAVELING TO TORONTO? Stop by Art Gallery Ontario (AGO) in Toronto, Canada, where a pair of solo exhibitions featuring British artist Hurvin Anderson and Chicago artist Theaster Gates are on view this summer. Both are also exhibiting in Europe. There is a Gates exhibition in Milan, Italy, and “Hurvin Anderson: Dub Versions” is at the...
ONE OF THE MOST ANTICIPATED museum exhibitions of the season, a major survey of Kerry James Marshall‘s work, primarily focused on his painting over the past 35 years, is opening at the Museum of Contemporary Art Chicago, on April 23. In September, the exhibition will travel to the Metropolitan Museum of Art in New York...
“HOW DO YOU PAINT YOUR SLAVE?” artist Julie Mehretu wonders. She is looking at “Juan de Pareja,” a 1650 oil on canvas by Spanish painter Velázquez (1599–1660). She describes it as portrait of a black man with copper skin and brown eyes. “He was one of his primary assistants and he was his slave… The...
THE 2016 AUCTION SEASON is gearing up in early February when the major houses are holding their first modern and contemporary art sales of the year in London. Although art by African American and African diasporic artists represents a nominal share of the lots offered by Sotheby’s, Phillips, and Christie’s (if they are included at...
CULTURE TYPE IS REVIEWING The Year in Black Art 2015 in monthly installments over the coming weeks. The report began with a look at The Newsmakers, seven artists and curators who continue to advance their practices and their projects with fresh approaches and new ideas—efforts that are recognized and often garner significant news coverage. The...
TWO YEARS FROM NOW, in 2017, Los Angeles artist Mark Bradford (above) plans to take full advantage of the unique cylindrical structure of the Hirshhorn Museum and Sculpture Garden in Washington, D.C. The critically recognized artist is installing a suite of site-specific paintings on the third floor of the Smithsonian museum where the work...
THE COLOR-INFUSED CANVASES of Sam Gilliam, un-stretched and un-framed, are suspended from the ceiling of the American embassy in Bamako, Mali. Across the globe, visitors to America’s diplomatic outposts in more than 20 countries have been greeted by the innovative work of the Washington Color School artist. On view from Lima and Rabat to...