TWO EARLY PAINTINGS by Emma Amos are featured in “We Wanted a Revolution: Black Radical Women, 1965–85” (April 21–Sept. 17, 2017), the groundbreaking group exhibition organized by the Brooklyn Museum. “Sandy and Her Husband” and “Flower Sniffer,” a 1966 self-portrait by Amos, are displayed side-by-side in the show. After the Brooklyn Museum recently announced...
Works by Emma Amos at Ryan Lee Gallery, Armory Show 2018 NEW YORK CITY WAS FLUSH with art fairs over the weekend and The Armory Show was the central attraction. Solo exhibitions featuring Sanford Biggers at David Castillo Gallery, Emma Amos at Ryan Lee Gallery, and Simphiwe Ndzube at Nicodim Gallery were among the...
THE FALL SEASON continues with an international slate of black artists presenting new and important work in the United States and abroad. The Whitney is hosting Toyin Ojih Odutola‘s first exhibition in a New York museum. A monumental exhibition of African design is making its U.S. debut at the High Museum in Atlanta. Njideka...
AT EVERY STAGE IN AN ARTIST’S CAREER, joining a new gallery can offer new opportunities and possibilities. Over the past year, emerging artists, mid-career artists, and well-established artists who have been practicing for half a century, joined the rosters of major galleries. For an artist, the right partnership can sharpen business outcomes and help bolster...
At Ryan Lee Gallery, EMMA AMOS, “Seated Figure and Nude,” 1966 (oil on canvas). | Photo by Victoria L. Valentine AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery artists. Blending figuration and...
LONG OVERDUE, THE COLORFUL AND EXPRESSIVE abstract works of Alma Thomas (1891-1978), pictured above, are being celebrated with a groundbreaking retrospective at the Tang Museum at Skidmore College in upstate New York. This summer, Thomas’s first solo museum exhibition since 2001 will travel to the Studio Museum in Harlem, which is co-organizing the show....