On View presents images from noteworthy exhibitions A RENOWNED SCHOLAR of African American art, David Driskell (1931-2020) had a deep interest in African Art, which he was introduced to when he was a student at Howard University. More than a dozen years later, in 1969-70 and 1972, when he was a professor of...
“Because I Wanna Fly” (2021) by Whitfield Lovell On View presents images from noteworthy exhibitions EMOTIONAL AND EVOCATIVE, Whitfield Lovell‘s work draws on memory and metaphor. His source images are found photographs of anonymous African Americans dating from emancipation to the civil rights era. He explores the Black experience by connecting past lives...
On View presents images from noteworthy exhibitions DC MOORE GALLERY is presenting a nearly four-decade survey of David Driskell, the renowned artist, curator, art historian, and educator. The paintings, large and small, reflect the expanse of his interests, travels, and experiences. Driskell, 87, draws on a range of styles and techniques, from figuration and...
“Strategy” (1994) by Jacob Lawrence IN THE HANDS OF Jacob Lawrence (1917-2000), images of revolution and rebellion are both “serious,” as the artist described them, and radically imagined. His narrative series depicting the life and leadership of Toussaint L’Ouverture includes a portrait of the Haitian liberator in profile in formal military dress, an intense...
THE DC MOORE GALLERY booth at Art Basel Miami Beach is devoted to paintings by David Driskell from the 1960s and 70s, a turbulent period in American history. Defined by an earnest use of color and deft symbolism, his paintings and collages express modern sensibilities and blend European, American, and African art forms. Work...
CELEBRATED FOR HIS RICH, LAYERED DEPICTIONS of African American life and culture, Romare Bearden’s decision to produce 20 collages based on episodes of Homer’s “The Odyssey” was widely viewed as a departure from his practice. Citing themes familiar to the African American experience—mourning, wandering and questing for home—scholar Robert O’Meally argues that the 1977...