Posts tagged "Betye Saar"
Gus Casely-Hayford is the inaugural director of V&A East in London The following review presents a snapshot of recent news in African American art and related black culture: NEWS APPOINTMENT | Gus Casely-Hayford is joining the Victoria & Albert Museum in London as inaugural director of V&A East. He is heading up two...
Installation view of Betye Saar at Museum of Modern Art FALL IN NEW YORK CITY is always a time of renewal and fresh new perspectives when it comes what’s next and relevant in art. This season there are an exceptional number of opportunities to experience the work of African American artists in museums, galleries,...
“Untitled #7” (1975) by Howardena Pindell The following review presents a snapshot of recent news in African American art and related black culture: ARTISTS The New York Times profiled Betye Saar in advance of her fall solo exhibitions at the Museum of Modern Art in New York and Los Angeles County Museum of...
THE YEAR AHEAD begins and ends with major traveling exhibitions, each presenting nearly a century of works by African American artists. The January debut of “Black Refractions: Highlights From the Studio Museum in Harlem” at the Museum of the African Diaspora in San Francisco kicks off a tour of six venues. Scheduled for seven...
Artist Betye Saar, 1970 THE J. PAUL GETTY TRUST dedicated resources to “recover the historical record of art in Southern California” in 2002. Nearly a decade later, the endeavor led to Pacific Standard Time, a region-wide collaboration with more than 60 institutions that resulted in a sweeping series of exhibitions, programs and publications exploring...
Installation view of “Betye Saar: Something Blue,” Roberts Projects, Los Angeles THE SMITHSONIAN’S ARCHIVES OF AMERICAN ART interviewed Robert Colescott about his life and work in 1999. Paul Karlstrom, who spent his entire three-decade career at the archives as West Coast regional director, conducted the oral history interview with the artist. Toward the end...
DAYS BEFORE THE OPENING of “Charles White: A Retrospective” at the Museum of Modern Art (MoMA) in New York on Oct. 7, a dramatic drawing by the pivotal, 20th-century figure topped the latest African-American Fine Art sale at Swann Auction Galleries. “Nobody Knows My Name #1” sold for $485,000 (including fees) on Oct. 4....
“Did the Bear Sit Under the Tree” (1969) by Benny Andrews THE INTERNATIONAL TOUR for “Soul of a Nation: Art in the Age of Black Power” has been extended. The exhibition will be on view at The Broad next March. The Los Angeles museum is the exhibition’s only West Coast venue and the show’s...
The acquisitions included “Untitled (Frustula Series),” a circa 1978 cast concrete sculpture by Beverly Buchanan. THE BROOKLYN MUSEUM recently organized more than a year of exhibitions and programming dedicated to feminist art. “A Year of Yes: Reimagining Feminism at the Brooklyn Museum” marked the 10th anniversary of the museum’s Elizabeth A. Sackler Center for...
ACQUISITIONS | Julie Mehretu, “Epigraph, Damascus,” 2016. | Los Angeles County Museum of Art, gift of Kelvin Davis and Hana Kim through the 2018 Collectors Committee, © Julie Mehretu, Photo by Malcolm Varon The following review of the past week presents a snapshot of the latest news in African American art and related...
The following review of March 2018 presents a snapshot of the latest news in African American art and related culture: NEWS | The Fifth Avenue building that housed the Studio Museum in Harlem when it was founded in 1968 is being razed. | Photo by Elizabeth Dee Gallery via Artforum NEWS When...
SOME OF THE BEST ART BOOKS published this year focus on the past and the present. Exhibition catalogs such as “We Wanted a Revolution: Black Radical Women 1965-85” and “Soul of a “Nation: Art in the Age of Black Power,” and the scholarly publication “South of Pico: African American Artists in Los Angeles in...
THREE AMERICAN CULTURAL INSTITUTIONS are bestowing lifetime achievement awards on Betye Saar. Next weekend, the Craft & Folk Art Museum Los Angeles (CAFAM) is honoring Saar at its annual fundraising gala. Earlier this year, Saar presented “Keepin’ It Clean,” a solo exhibition of washboard assemblages dating from the 1990s to present at the museum....
MUST-SEE EXHIBITIONS featuring some of the most interesting black female artists working today are opening around the world this month. The first solo museum show of Los Angeles-based Martine Syms opens May 27 at the Museum of Modern Art in New York. In the same city, an amazing show of new portrait paintings by British...
DESIGNATED BY THE UNITED NATIONS Educational, Scientific and Cultural Organization (UNESCO), World Book Day promotes reading, publishing and copyright. It’s a great excuse to learn more about five new art books. Recently published volumes pay tribute to women artists and explore the work of African American artists active in 1960s and 70s Los Angeles—the work...
Feb. 16: Betye and Alison Saar are in Conversation at CAAM, Los Angeles | Screen Shot New York Times video THERE ARE SOME GREAT CONVERSATIONS happening between women this month. Artist Ellen Gallagher with curator Adrienne Edwards. Mickalene Thomas and scholar Beverly Guy-Sheftall. Models Pat Cleveland and Bethann Hardison. Scholar Kellie Jones with social...
“Hammons meets a hyena on holiday,” (2016) by Henry Taylor sold for $70,000 at Blum & Poe gallery. HOWARDENA PINDELL WAS ON HAND to talk about her work at Garth Greenan Gallery. Sean Combs spent time checking out the latest offering by Mickalene Thomas. Nigel Freeman of Swann Auction Galleries shared an image of...
THE LOS ANGELES-BASED ARTIST Betye Saar is known for her assemblage works, mixed-media objects that explore race, history, death and rebirth through found objects. Indeed, Saar herself is enjoying a bit of a renaissance. After serving as a resident faculty member in 1985, Saar returned to Skowhegan in 2014 as a visiting artist. Further,...
Kerry James Marshall’s retrospective, featuring “Untitled (Studio), opens at The Met Breuer Oct. 25. THE VISIONARY AND IMAGINATIVE PAINTINGS of Kerry James Marshall are coming to New York. Presenting 35 years of painting, “Mastry” is the largest retrospective of the artist’s work to date. After debuting at MCA Chicago in April, the exhibition opens...
Works by Alma Thomas, Simone Leigh, and Lynette Yiadom-Boakye IT WAS A GREAT DAY IN HARLEM, a celebration of two important women in art—Alma Thomas (1891-1978) and Thelma Golden. The artist and the director of the Studio Museum in Harlem were both born Sept. 22. Thomas would have been 125. To mark the milestone,...