AN ERA IN ART HISTORY is coming to an end in order to make way for the future. The Studio Museum in Harlem is closing for three years while a new building designed by architect David Adjaye is built at its current West 125th Street location. The groundbreaking is set for this fall and...
THE YEAR AHEAD MARKS KEY HISTORIC MILESTONES. Fifty years ago, Martin Luther King Jr., was assassinated on April 4, 1968 in Memphis, Tenn. King’s legacy will be honored this year through many programs and events. A new exhibition at the Smithsonian’s National Museum of African American History and Culture examines the 1968 Poor People’s Campaign,...
AN AMAZING PHOTOGRAPHIC SELF-PORTRAIT by Kia LaBeija covers the January issue of Artforum. LaBeija is a young African American artist who describes her practice as exploring “her personal narrative and the relationship between space, trauma, and the female body.” David Velasco, the new editor of Artforum, says he saw LaBeija’s work for the first...
THE MUSEUM OF MODERN ART (MoMA) asked photographer Brigitte Lacombe to create a visual commission (read photographic portraits and a video) for its Creative New York platform featuring the young curators, artists, fellows and collaborators who represent “the face of MoMA’s future.” A demographically diverse group of creatives was selected to participate. All the...
POLITICS PAST AND PRESENT coursed through the art world in 2017. Issues of censorship and debates around who has the right to depict black bodies came to the fore. The biggest news stories, from White House machinations, gun violence, and immigration to the fate of Confederate monuments, racial division, and sexual harassment and assault revelations,...
AT ANY STAGE of an artist’s career, partnership with the right gallery can be transformative. New gallery representation offers the opportunity to better communicate the focus of an artist’s practice; expose their work to a broader audience of collectors, curators, and critics; and encourage and support exhibitions, projects, and even a new creative direction. In...
THE ART, EXHIBITIONS, AND PROGRAMMING featured in museums and cultural institutions are largely shaped, guided and decided upon by curators, an elite group lacking racial and ethnic diversity. A recent survey from the Mellon Foundation found that representation for black curators (and conservators, educators and leaders) in the museum sector is dismal—just 4 percent. To...
SOME OF THE BEST ART BOOKS published this year focus on the past and the present. Exhibition catalogs such as “We Wanted a Revolution: Black Radical Women 1965-85” and “Soul of a “Nation: Art in the Age of Black Power,” and the scholarly publication “South of Pico: African American Artists in Los Angeles in...
SURVEY is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. From left, Artists Emeka Ogboh and Simone Leigh made the shortlist for the 2018 Hugo Boss Prize. | From left, Photos by Adolphus Opara and Paul Mpagi...
THIS SPRING, Jack Whitten is sharing a previously unknown aspect of his practice with the public for the first time. “Odyssey: Jack Whitten Sculpture, 1963-2016” opens at the Baltimore Museum of Art (BMA) on April 22, 2018. Co-organized with the Metropolitan Museum of Art in New York, the show will feature 40 sculptures Whitten...
HOWARDENA PINDELL, Detail of “Oval Memory Series II: Castle Dragon,” 1980-81. LAST YEAR, ANDREA BOWERS was in conversation with Martha Rosler at the Dia Art Foundation. The two artists discussed “If You Lived Here…,” a project about homelessness and real estate in New York City Rosler presented at the Dia in 1989. Invited to...
THE PRINCIPLES AND COLLECTIVE AESTHETIC established by AfriCOBRA in 1968 are evident in the work of Gerald Williams. Exploring culture, place, and identity from a global perspective, works by the Chicago artist are on view in the Kavi Gupta booth at Art Basel Miami Beach. Williams, a co-founder of AfriCOBRA, the artist collective that...
THE DC MOORE GALLERY booth at Art Basel Miami Beach is devoted to paintings by David Driskell from the 1960s and 70s, a turbulent period in American history. Defined by an earnest use of color and deft symbolism, his paintings and collages express modern sensibilities and blend European, American, and African art forms. Work...
AFTER MUCH ANTICIPATION, the winner of Britain’s most prestigious art prize has been announced. Lubaina Himid, 63, was awarded the 2017 Turner Prize on Tuesday. Her selection is groundbreaking. She is the first black woman to get the prize and she is also the oldest artist to earn the honor, after a rule change...
THE SAINT LOUIS ART MUSEUM is benefitting from the largesse of a collector who developed an appreciation for art through visiting the institution as a child. Ronald Ollie grew up in St. Louis and was exposed to the museum by his parents. Eventually he became an art collector. Now based in New Jersey, Ollie...
HARVARD ART MUSEUMS have acquired a monumental drawing from one of this fall’s most talked about gallery exhibitions. Kara Walker‘s “U.S.A. Idioms” was purchased from “the Most Astounding and Important Painting Show of the Fall Viewing Season!,” an exhibition of new works on paper by Walker at Sikkema Jenkins. The show opened Sept. 7...
SURVEY is a review of the latest news and happenings related to visual art by and about people of African descent, with the occasional nod to cultural matters. Pérez Art Museum Miami is among 20 institutions benefitting from diversity initiative supported by Ford and Walton Family foundations. $6 Million Initiative Aims to Diversify...
WITH TWO MAJOR MUSEUM EXHIBITIONS on the horizon, Blum & Poe announced its representation of the estate of Robert Colescott (1925-2009). The thinking man’s provocateur, Colescott challenged art history and reinterpreted American history, painting transgressive, racially and sexually charged scenes with wit, insight, and imagination. Blum & Poe made the announcement on Dec. 1,...
AN EXHIBITION POSTER featuring “Bid ‘Em In/Slave (Angie)” by Barkley Hendricks (1945-2017) was produced on the occasion of “Black Fire: A Constant State of Revolution,” a 2015-16 group show at the Sheldon Museum of Art in Lincoln, Neb. I discovered the poster last spring, shortly after the artist died. The image features a female...
JAY Z IS FEATURED on the latest cover of T magazine, the New York Times style publication. A painting by Henry Taylor,—a portrait of the rapper, music mogul, and business man—illustrates a wide-ranging interview conducted by Dean Baquet, the executive editor of the Times. The newspaper’s top editor doesn’t often stray from his leadership...
Diallo Simon-Ponte is Joining Speed Art Museum in Louisville, Kentucky, as Inaugural Sam Gilliam Assistant Curator of Artist Programs
Apr 23, 2025
On View: ‘Alberta Whittle: Towards a Motherful Loving Praxis, We Cast Seeds Into the Darkness’ at Nicola Vassell Gallery in New York
Apr 19, 2025
Jack Shainman Gallery Now Represents the Estate of Faith Ringgold, ‘Artist Played Significant Role in Shaping Culture of American Art’
Apr 17, 2025
On View: ‘Robert Carter and Charles White in Dialogue’ Presents Moving Figurative Compositions at ACA Galleries in New York
Apr 12, 2025
Culture Type: The Month in Black Art, Here’s What Happened in April 2025
Apr 11, 2025
