EUROPEAN MUSEUMS ARE EXPOSING THEIR AUDIENCES to works by African Americans artists that reflect and respond to the history of race in United States. Two major exhibitions, “The Color Line: African American Artists and Segregation” at Le musée du quai Branly in Paris (2016), and “Soul of a Nation: Art in the Age of...
The following review of the past week presents a snapshot of the latest news in African American art and related culture: Kehinde Wiley has signed with a Hollywood talent agency. Shown here, he attends the opening for his 2017 exhibition “Trickster” at Sean Kelly Gallery in New York City. | Photo by Johnny...
Bob Thompson, 1964 | Smithsonian Archives of American Art 1960 WAS A PIVOTAL YEAR for Bob Thompson (1937-1966). He had his first solo exhibition at the Delancey Street Museum on the Lower East Side of Manhattan. The same year, he made a rare self-portrait, depicting himself in his Clinton Street studio surrounded by his...
BEAUFORD DELANEY, “Untitled (Village Street Scene),” 1948 APPLAUSE SWEPT THROUGH THE SALESROOM when a colorful mid-career canvas by Norman Lewis soared to $725,000*, three times the estimate. Bidders also clapped when a village street scene painted by Beauford Delaney (above) and “O Freedom,” a large-scale charcoal and crayon drawing by Charles White reached half...
Alma Thomas with her work at the Whitney Museum of American Art. | Courtesy Archives of American Art LARGELY KNOWN AS A WASHINGTON, D.C,-BASED ARTIST who dedicated herself to her practice full-time late in life, Alma Thomas (1891-1978) is recognized for her abstract compositions, exuberant works defined by rhythmic pattern and vibrant color. The...
The following review of March 2018 presents a snapshot of the latest news in African American art and related culture: NEWS | The Fifth Avenue building that housed the Studio Museum in Harlem when it was founded in 1968 is being razed. | Photo by Elizabeth Dee Gallery via Artforum NEWS When...
AN ANDY-WARHOL-STYLE PORTRAIT made by Njideka Akunyili Crosby while she was in graduate school sold for more than twice its estimate at Sotheby’s London this week. The auction house held its second sale dedicated to Modern & Contemporary African Art on March 28, and “À La Warhol,” a four-image self-portrait by the Nigerian-born, Los Angeles-based...
WASHINGTON, D.C. — Hanging half loose from its stretcher, a portrait of Thomas Jefferson reveals an image of a Black woman behind it. It’s a provocative juxtaposition that raises a question about the relationship between the two subjects. Her hair is covered while her partially shown shoulder and leg are bare. She is brown-skinned...
HENRY TAYLOR, “Ghanaian #3,” 2017 (acrylic on canvas, 15.75 x 11.75 x .75 inches, 40 x 29.8 x 1.9 centimeters). | © Henry Taylor, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo GLOBETROTTING OVER THE PAST YEAR, Henry Taylor spent time in Europe, Africa, and Cuba. All the while he was...
KARA WALKER, “Dr. King,” 2015 THE YEAR 2018 coincides with many historic milestones. It’s been a half century since the Studio Museum in Harlem was founded, the Chicago artist collective AFRICOBRA was formed, Olympic track athletes raised their fists at the Mexico City games in a stand for racial justice, and the Kerner Commission...
LAST OCTOBER, ART21 collaborated with Jack Whitten (1939-2018) on a short film about his life and work. Shot in his studio, “An Artist’s Life: Jack Whitten” captures him making a painting titled “Quantum Wall, VIII (For Arshile Gorky, My First Love In Painting),” as he explains his innovative methods and techniques. He also talks...
Lot 11: HURVIN ANDERSON, “Some People (Welcome Series),” 2004 (oil on canvas, 150 by 232 cm. 59 by 91 3/8 inches). | Estimate £600,000—£800,000 ($832,560-$1,110,080). | Sold for £850,000 ($1,179,460) Hammer Price – £1,029,000 GBP ($1,427,840) including fees A SIGNIFICANT PAINTING by Hurvin Anderson topped $1 million at Sotheby’s London on March 7. A...
LORNA SIMPSON, “Cloud,” 2005. FEATURING AN ICONIC CLOUD ELEMENT, a major work by Lorna Simpson sold for $70,000 ($87,500 including fees) at Sotheby’s New York earlier this month. The price was an artist record, according Ask Art, Art Price, and Sotheby’s auction results. “Cloud,” a 2005 serigraph printed on felt in nine parts was...
HAUSER & WIRTH ANNOUNCED its representation of Amy Sherald March 20. The Baltimore-based artist paints imaginative portraits of ordinary African Americans. She recently took on a well-known subject for the first time when she was commissioned to paint First Lady Michelle Obama whose portrait was unveiled at the Smithsonian’s National Portrait Gallery on Feb....
Detail of Mark Bradford’s “Helter Skelter I” (2007). ART MARKET HISTORY WAS MADE earlier this month when “Helter Skelter I,” a monumental painting by Mark Bradford sold for $10.4 million (nearly $12 million, including fees) at Phillips London. The price was the highest-ever achieved at auction for a work by a living African American...
Lorna Simpson: In The Studio. | Video by Hauser & Wirth OVER THE PAST FIVE YEARS OR SO, Lorna Simpson has transformed her practice. An accomplished conceptual photographer, she is now a formidable painter, who is newly expressing herself through sculpture. Since the mid-1980s, Brooklyn-based Simpson has challenged conventional notions of gender, identity, history,...
MILDRED THOMPSON, “Magnetic Fields,” 1990 THE NATIONAL MUSEUM OF WOMEN IN THE ARTS celebrated the birthday of Mildred Thompson (1936-2003) with the announcement of two acquisitions. Under-recognized in her lifetime, the Atlanta-based artist worked in abstraction, making paintings, drawings, prints, and sculpture. Thompson was featured prominently in “Magnetic Fields: Expanding American Abstraction, 1960s to...
Works by Emma Amos at Ryan Lee Gallery, Armory Show 2018 NEW YORK CITY WAS FLUSH with art fairs over the weekend and The Armory Show was the central attraction. Solo exhibitions featuring Sanford Biggers at David Castillo Gallery, Emma Amos at Ryan Lee Gallery, and Simphiwe Ndzube at Nicodim Gallery were among the...
Detail of SAM GILLIAM, Untitled, 1968 featured in Contemporary Curated at Sotheby’s New York, March 2, 2018 FOR MORE THAN HALF A CENTURY, Sam Gilliam has had a relatively successful practice by any measure with critical recognition, regular exhibitions, and representation in museum collections. Known for his expressive abstraction and fluid use of color,...
Clockwise, from top left, Sam Gilliam, Lorna Simpson, Mark Bradford, Njideka Akunyili Crosby, Glenn Ligon Julie Mehretu, Lynette Yiadom-Boakye, and Rashid Johnson. | via Sotheby’s ARTISTS WITH CLOSE TIES to the Studio Museum in Harlem are donating works to support the historic institution’s construction campaign. Creating Space: Artists for The Studio Museum in Harlem:...