DANNIELLE BOWMAN, “Inglewood,” 2019 (digital pigment print, 20 x 25 inches). | © Dannielle Bowman AN ENDLESS EXPANSE of dark, open waters illustrates the cover of The New York Times Magazine’s groundbreaking examination of the legacy of slavery in America: The 1619 Project. The black-and-white photograph captures the distant horizon near a Hampton, Va.,...
THREE GIANTS of 20th century American art were represented in the evening auctions of contemporary art at Sotheby’s and Christie’s for the first time in November. The auction houses offer only a few dozen works in their evening auctions and the coveted slots are reserved for premier works by important artists. Significant works by...
VISITING THE DAILY SHOW, Kehinde Wiley discussed his recent projects with host Trevor Noah. Wiley explained the symbolism of “Rumors of War,” his largest work to date depicting a young black man with dreads, wearing a hoodie and Jordans, astride a horse. Standing 27 feet high, the monumental work debuted in Times Square in...
VISITING THE NATIONAL PORTRAIT GALLERY for the first time in 2006 turned out to be a meaningful experience for Wayde McIntosh. Studying for a BFA in painting at the Maryland Institute College of Art, he made the short trip from Baltimore to Washington, D.C., specifically to see the inaugural exhibition of the Outwin Boochever...
“Pac Thugz Mansion” (2019) by Jerrell Gibbs RENDERED IN SOFT FOCUS, a glimpse of nude figures diving into an expansive body of blue water is seen through an opening of low-hanging foliage. It’s a view that could take on any number of interpretations. The painting by Jerrell Gibbs is a vision of freedom and...
WHEN THE OFFICIAL PORTRAITS of President Barack Obama and First Lady Michelle Obama were unveiled at the National Portrait Gallery on Feb. 12, 2018, they garnered praise and endless opinions and inspired “pilgrimages” to Washington, D.C., to view them. Now the portraits by Kehinde Wiley and Amy Sherald have inspired a five-city national tour...
Artists Simone Leigh and Henry Taylor have joined Hauser & Wirth. The following review presents a snapshot of recent news in African American art and related black culture: REPRESENTATION One of the world’s largest galleries with nine locations (and a 10th planned in Menorca), Hauser & Wirth started off the new year with...
CHISENHALE GALLERY in London’s East End has hired Zoé Whitley as its next leader. An American-born curator, over nearly two decades, Whitley has built a formidable career based in London, producing insightful, innovative, and inclusive exhibitions and programming at major UK museums and galleries. Whitley has been serving as senior curator at Hayward Gallery...
SINCE 1999, PAMELA J. JOYNER and Alfred J. Giuffrida have focused their collecting on abstract art by artists of African descent. Nearing 100 artists, the collection is documented in a hefty volume, “Four Generations: The Joyner / Giuffrida Collection of Abstract Art,” and a traveling exhibition. After touring four museums, “Solidary & Solitary: The...
The exhibition “Frederick Douglass: Embers of Freedom” at the SCAD Museum of Art was accompanied by “The Golden March,” a special commission by artist Raphaël Barontini composed of a marching band performance and site-specific installations. | Photography Courtesy of SCAD SAVANNAH, GA.—Carrying flags and banners bearing the image of Frederick Douglass (1818-1895), the Savannah...
PICASSO’S “GUERNICA” (1937) is admired and respected by many artists, including Kerry James Marshall and Faith Ringgold. In 1980, Marshall’s first trip to New York—and first flight on an airplane—was made expressly to see the grand work on loan from Spain at the Museum of Modern Art (MoMA). Ringgold has described “Guernica” as her...
REBELLIOUS, DEMOCRATIC, AND COMPLEX. That’s how trailblazing artist Jacob Lawrence saw America. Before he ever put paintbrush to panel, Lawrence spent five years conducting research for what would become one of his most ambitious bodies of work, Struggle: From the History of the American People. This 30-panel narrative epic told a version of American history...
BLACK ARTISTS spanning generations are receiving more and more critical recognition and opportunities. Some of the most compelling illustrated art books published in 2019 are monographs contributing to the much-deserved and in many cases long-overdue attention of individual artists. New volumes are dedicated to Kwame Braithwaite, Robert Colescott, Lubaina Himid, Suzanne Jackson, and Julie...
BEFORE HE TURNED 50, Grammy award-winning music producer, entertainment mogul, and entrepreneur Sean “Diddy” Combs bought the most expensive painting by a living African American artist at auction. Earlier this month, Combs threw himself a huge 50th birthday bash and the painting, “Past Times” (1997) by Kerry James Marshall, served as a backdrop for party...
BLACK CURATORS have risen to significant positions at important institutions in the United States and internationally over the past year. In a field where people of color have historically been underrepresented, this 2019 listing of new curatorial and arts leadership appointments demonstrates the growing influence of people of African descent in the visual arts....
On View presents images from noteworthy exhibitions CANDID, HARSH, AND IMAGINATIVE, Vanessa German‘s mixed-media sculptures, assemblages, and wall-mounted altars are rich with narrative. Created to gird against the daily violence and indignities endured by black and brown people, her Power Figures possess joy, love, and soul protection. Pittsburgh-based German is a performance artist...
IT’S OFFICIAL. Lonnie G. Bunch III was installed as the 14th Secretary of the Smithsonian Institution on Nov. 1. The ceremony was presided over by John G. Roberts Jr., chief justice of the United States Supreme Court, who serves as chancellor of the Smithsonian. Roberts presented Bunch with a ceremonial brass key, a symbolic...
MILES DAVIS HOLDING COURT with the press after a performance at Lincoln Center is one of Frank Stewart’s more well-known photographs. A camera flash shines bright aimed at Davis who is perched against a wall on the opposite side of the room, elevated slightly just above everyone, his shadow cast behind him. Stewart shot...
AARON DOUGLAS, “Study for Haitian Mural, Wilmington, Delaware,” 1942 (oil on board). | Lent by Wilson A. and Deborah Fl. Copeland and Lauren F. C. N’Namdi On View presents images from noteworthy exhibitions WHILE ATTENTION is often paid to patrons of the arts in New York City, Chicago, and Los Angeles, for generations, the...
FOR THE FIRST TIME in its 35-year history, the Turner Prize was awarded to more than one artist. Helen Cammock and Oscar Murillo were among four artists shortlisted for the British art prize. On Dec. 3, it was awarded jointly to Cammock, Murillo, Lawrence Abu Hamdan, and Tai Shani in the wake of their...