FOUR NEW ARTISTS are receiving the imprimatur of the Studio Museum in Harlem. Widline Cadet, Genesis Jerez, Texas Isaiah, and Jacolby Satterwhite (above, clockwise from left) have been selected for the museum’s Artist-in-Residence program, a prestigious opportunity that has served as a launching pad for some of today’s most highly regarded artists of African...
A MOMENT IN TIME, a new series of paintings by Blitz Bazawule, is inspired by found photographs he located in markets around the world. The artist first discovered them in Rabat, Morocco, where vendors were selling albums full of old, black-and-white photographs belonging to families they didn’t know. In the paintings, which are on...
A 2021 WALL CALENDAR showcasing the work of jazz age modernist Archibald Motley (1891-1981) serves as a reminder that Black institutions were the first to collect the work of African American artists in a meaningful way. “Barbeque” (1934) appears on the cover of the calendar. One of Motley’s famous genre scenes, the painting belongs...
Misty Copeland opens her New York apartment up to Architectural Digest, revealing a penchant for African American art. | Video by Architectural Digest LOCATED ON THE UPPER WEST SIDE of Manhattan, Misty Copeland‘s three-bedroom apartment was recently showcased by Architectural Digest (AD). She gave the design magazine’s audience a video tour. The home’s theme,...
USING HAND TOOLS, Thaddeus Mosley carves abstract, modern forms out of felled logs from Western Pennsylvania. A trio of sculptures by Mosley is installed at Rockefeller Center near Fifth Avenue in front of the Channel Gardens. The works were created specifically for Frieze Sculpture 2020 at Rockefeller Center. The free outdoor public art exhibition...
A DENSE GATHERING of mostly African Americans, well-dressed for a day of national mourning, covers the fall 2020 edition of Gagosian Quarterly. The black-and-white photograph is by Moneta Sleet Jr. (1926-1996), a bird’s eye view captured at the public funeral of Martin Luther King Jr., in April 1968. The photograph is part of the...
THE WRITING AND THE ART featured in Henry Taylor’s first major monograph are just as striking as the vivid orange cloth cover in which it is bound. Los Angeles-based Taylor is known for his richly colored, bluesy approach to figuration. His subjects are rendered loosely and somewhat abstract. He makes paintings of his friends,...
TO MARK THE 57TH ANNIVERSARY of the March on Washington for Jobs and Freedom, the Smithsonian’s National Museum of African American History and Culture (NMAAHC) is making its grand opening film, “August 28: A Day in the Life of a People,” available online, free to public for 24 hours, beginning tomorrow morning. “Aug. 28”...
THE FALL FASHION ISSUE of American Vogue features not one but two paintings by Black artists. Kerry James Marshall and Jordan Casteel were commissioned to produce cover images for the September 2020 edition. The artists were given considerable creative freedom and came up with two very different fashion-inspired portraits that reflect their individual practices....
A BEAUTIFUL PORTRAIT of Breonna Taylor looking regal and “ethereal” in a flowing blue-green gown graces the cover of the September 2020 issue of Vanity Fair. The portrait is a painting by Amy Sherald, a posthumous tribute commissioned by the magazine for The Great Fire, a special project guest edited by journalist and author...
TYLER MITCHELL, Untitled, 2019. | © Tyler Mitchell ALLURING, JOYFUL, AND TIMELY, the photographs of Tyler Mitchell center the Black experiences he didn’t see represented in media when he was growing up. The images Mitchell came across, mostly on Tumblr, focused on attractive white models at leisure and at play, having fun. Shifting how...
A NEW WAVE OF BLACK FEMALE ARTISTS has been making strides in the art world, over the past several years, with major exhibitions, museum acquisitions, collector support, gallery representation, and auction records that most practitioners don’t see in their entire careers. These recent publications are the first major volumes to document the individual practices...
Chicago artist AMANDA WILLIAMS proposes Sandra’s refuge: Safe Passage for Free Movement in Public Space for the High Line Plinth. THE PUBLIC WILL HELP DECIDE the artists chosen for two forthcoming installations on the High Line Plinth in New York City. An international advisory committee nominated 80 artists from 40 countries who submitted proposals....
Installation view of “Conrad Egyir: Terra Nullius” at Museum of Contemporary Art Detroit On View presents images from noteworthy exhibitions THE FIRST SOLO MUSEUM EXHIBITION of Conrad Egyir presents a series of individual and group portraits whose subjects hail from Detroit, New York City, or Aburi, Ghana. On view at the Museum of...
Installation view of “Terry Adkins: Resounding,” featuring “Last Trumpet” (1995). On View presents images from noteworthy exhibitions SHOWCASING A BROAD SURVEY of Terry Adkins (1953-2014), the Pulitzer Arts Foundation in St. Louis, Mo., reopened today after five months of closure due to COVID-19. Adkins expressed himself through sculpture, sound, performance, video, and printmaking,...
IN A NEW ONLINE VIEWING ROOM, Jack Shainman Gallery is showcasing Carrie Mae Weems‘s iconic Kitchen Table Series (1990). The photographs feature a succession of staged scenes that explore female identity, experiences, and relationships in the context of a traditionally female domain. Employing visual performance, image making, and a compelling narrative text, the powerful...
PATRICK WALDEMAR, “Hanging Out in the Courtyard,” 2020 (watercolor on paper, 12 x 12 inches). | © Patrick Waldemar, Courtesy the Artist and Stella Jones Gallery WORKING FOR NEARLY A YEAR on a series of paintings inspired by the stately courtyards of New Orleans, Patrick Waldemar‘s work began to shift. With the onset of...
On View presents images from noteworthy exhibitions THE TITLE of Chase Hall‘s new solo exhibition, “Half Note,” references both the improvisation of jazz and biracial identity. He explores both in a new series of portraits on view at Monique Meloche Gallery in Chicago. One of the paintings is named for a famous impromptu...
ONE OF THE FIRST AMERICANS to employ photography as a promotional tool, Sojourner Truth (1797-1883) copyrighted her image and used it to help fund her “sojourns” as a traveling preacher. She sold cartes de visite bearing her image as souvenirs to those who came to hear her speak about the abolition of slavery and women’s...
Taylor Renee Aldridge joined CAAM as visual arts curator. | Photo by Paper Monday IN LOS ANGELES, the California African American Museum (CAAM) announced two key curatorial appointments. Detroit-based independent curator and writer Taylor Renee Aldridge is joining the museum as visual arts curator and program manager. Susan D. Anderson, a public historian...