Recommended: Artforum Publishes Isaac Julien, Melvin Edwards and Simone Leigh in Their Own Words
RECOMMENDED FEATURES recently published content from around the web, recommendations from Culture Type worth taking the time to explore: Over the past month, Artforum’s 500 Words feature has captured the as told to remarks of Simone Leigh, Melvin Edwards and Isaac Julien. The artists explain their work and share the sources and motivations behind their...
Toyin Odutola Discusses New York, Artistic Influences and the Wonders of Ballpoint
EARLIER THIS MONTH, Toyin Odutola spoke to BOMB magazine about race, representation and inspiration. The Nigerian-born artist’s work is instantly recognizable. Executed in charcoal, ink and often ballpoint pen, her self portraits and images of her brothers and others are usually set against dark backgrounds, the subject’s skin depicted in black hues defined by...
Frieze Magazine Asks Henry Taylor and Lynette Yiadom-Boakye About Painting
LYNETTE YIADOM-BOAKYE FINDS PAINTING “DIFFICULT.” Critically recognized for her moody-hued paintings of people who sprout from her imagination (above), the British artist says the challenge is a good thing. “I paint because I love doing it and because I never stop finding it difficult,” she told Frieze magazine. “I always feel like I’m trying to...
Kadir Nelson Interprets New Yorker Icon for Magazine’s 90th Anniversary
THE NEW YORKER IS CELEBRATING its 90th anniversary with nine covers by nine illustrators including award-winning artist Kadir Nelson. The magazine’s first issue in February 1925 featured a “starchy-looking gent with the beaver hat and the monocle,” an iconic character who later became known as Eustace Tilley. Standing the test of time, Tilley has been...
The Year in Black Art Books, Catalogs and Magazines 2014
IT WAS A THRILL TO OPEN the January issue of W magazine and find photographer Lorna Simpson’s evocative images of the cast of “12 Years a Slave” and conclude the year with a package delivered after Christmas containing “Du Bois in Our Time,” a visual testament to the intellectual’s legacy. In the months between, some...
W Magazine Concludes 2014 with Coverage of Sam Gilliam, Rashid Johnson, Julie Mehretu and Kevin Beasley
OFFERING COVERAGE OF ARTS AND CULTURE that rivals its fashion reporting, W magazine has recently trained its lens on several Black artists. In November, articles were published on Sam Gilliam and Rashid Johnson. Though separated by nearly two generations, the artists are closely connected. Both are represented by David Kordansky Gallery in Los Angeles where...
Titus Kaphar Paints Ferguson Protesters for Time Magazine
LIKE SO MANY OTHER AMERICANS, artist Titus Kaphar has been struggling with how to respond to the shooting of Mike Brown in Ferguson, Mo., the choking death of Eric Garner in New York, and the countless other incidents involving police officers killing unarmed Black men and youth across the country. Ultimately, he expressed himself...
Artforum Asks Artists, Critics and Curators to Name the Best of 2014
WHAT MAKES AN EXHIBITION exceptional? For artist Glenn Ligon, it must be “rigorous, challenging, and beautifully installed” and it really registers if it causes him to self reflect. “A good exhibition is one that makes me reconsider my own practice,” he says in Artforum. The magazine’s December “Best of 2014” issue takes a look back...
Art & Antiques: An Overdue Look at Archibald Motley, Modernist ‘Mix Master’
THE MOTIVATION BEHIND MOUNTING “Archibald Motley: Jazz Age Modernist” has everything to do with exposure, recasting the legacy of an important 20th century painter. Based in Chicago, Archibald Motley (1891-1981) painted captivating portraits, lively street scenes and spirited social gatherings with a modern perspective. His canvases capture African American life with wry humor and...
5 Candid Comments: Deborah Grant on Navigating the Art World
DEBORAH GRANT GIVES A GOOD INTERVIEW. She is candid and forthcoming about her journey as an artist as well as her views of the art world’s racial fault lines. Born in Toronto, she lives and works in New York, where her exhibition, “Christ You Know it Ain’t Easy,” was on view earlier this year at...
Artforum: Thomas J. Lax Previews Chris Ofili’s Fall Exhibition
ONE OF FALL’S MOST ANTICIPATED MUSEUM SHOWS is “Night and Day,” Chris Ofili’s forthcoming exhibition at the New Museum on Oct. 29. His first solo museum show in the United States will be presented on all three gallery floors and survey his entire career. Exploring race and gender issues through cultural and historical references,...
Stephen Burks: The Design World’s Global Ambassador
DESIGN IS ABOUT PROBLEM SOLVING and for a decade Stephen Burks has been offering innovative solutions. The New York-based designer collaborates with artisans in South Africa, Peru, Colombia and Haiti, helping them hone their designs and access new markets and partners with high-end European brands to create luxury products with a global sensibility. Along...
Kara Walker Pitcher Elicits a Difference of Opinion
JUXTAPOSITION CAN BE INCREDIBLY ILLUMINATING. Earlier this year, Kara Walker collaborated with Bernardaud and LizWorks to create a limited-edition porcelain pitcher and this week the New York Times asked J. Crew Creative Director Jenna Lyons and singer-songwriter Courtney Love what they thought about it. In a new feature called “Take Two: A Dual Review...
Collector Rodney Miller Enlists Curators to Hang His Art
THE SUMMER 2014 ISSUE OF ARTNEWS features its annual list of top art collectors in the world. The issue also profiles collector Rodney M. Miller, whose Upper East Side townhouse is filled with modern and contemporary African American and African diasporic art. A member of the acquisitions committee at the Studio Museum in Harlem, where...
Julie Mehretu on Africa’s Emerging Presence in Contemporary Art
PORTER MAGAZINE, A NEW PRINT PUBLICATION produced by Net-a-Porter, the online luxury retailer, mostly covers fashion, but also devotes a fair amount of editorial to art and culture. Its summer edition features a brief interview with Julie Mehretu (above, right-hand page) about Africa’s emerging presence in the contemporary art world. The Ethiopian-born, Michigan-reared, New...
Keeping Up with Contemporary Art Star Oscar Murillo
IN AN INFORMATIVE AND INSIGHTFUL new profile of Oscar Murillo, New York magazine likens the 28-year-old artist’s meteoric rise to the current state of the contemporary art world. A few years ago, the black Colombian-born artist was doing janitorial work in the UK where he earned a master’s degree at the Royal College of...
‘Afro Margins’ by Chris Ofili Featured on New ‘Art in America’ Cover
THE LATEST ISSUE OF ART IN AMERICA is covered with a series of vertically stacked afros. The image is a detail of “Afro Margins,” a 2007 pencil drawing by Trinidad-based artist Chris Ofili. The work is part of a series Ofili began in 2004 in London and continued when he moved to Trinidad in 2005...
Theaster Gates Among Fast Company’s Most Creative People
FAST COMPANY NAMED Theaster Gates one of the 100 Most Creative People of 2014. The magazine ranked Gates No. 11, recognizing him for mastering the art of urban renewal. A conceptual artist whose multi-disciplinary practice explores the intersection of art, culture and community, Gates (above) is founder of the Rebuild Foundation and serves as...
Culture Talk: Lorna Simpson on Capturing the Cast of ’12 Years a Slave’ for W Magazine
RACE, IDENTITY, MEMORY AND HISTORY figure prominently in Lorna Simpson‘s practice, making her a natural choice for W magazine which reached out to the photographer to capture the cast of the Oscar-nominated “12 Years a Slave.” Even before it debuted in theaters, major buzz surrounded British artist and filmmaker Steve McQueen’s film. Critics and historians...
1946 Life Magazine Offers Platform for 12 ‘Negro’ Artists
NUDE FROM THE WAIST UP, Eldzier Cortor‘s vision of Black female beauty made quite a statement in 1946 when it was showcased in Life magazine. While other Black artists, preoccupied with racial uplift, generally portrayed Black women in morally unambiguous circumstances, Cortor embraced the natural beauty and power of their bodies. In his view, dignity...
