THE FALL FASHION ISSUE of American Vogue features not one but two paintings by Black artists. Kerry James Marshall and Jordan Casteel were commissioned to produce cover images for the September 2020 edition. The artists were given considerable creative freedom and came up with two very different fashion-inspired portraits that reflect their individual practices....
A BEAUTIFUL PORTRAIT of Breonna Taylor looking regal and “ethereal” in a flowing blue-green gown graces the cover of the September 2020 issue of Vanity Fair. The portrait is a painting by Amy Sherald, a posthumous tribute commissioned by the magazine for The Great Fire, a special project guest edited by journalist and author...
ONE OF THE FIRST AMERICANS to employ photography as a promotional tool, Sojourner Truth (1797-1883) copyrighted her image and used it to help fund her “sojourns” as a traveling preacher. She sold cartes de visite bearing her image as souvenirs to those who came to hear her speak about the abolition of slavery and women’s...
Cover Portrait by Alexis Franklin | September 2020 HER LIFE MATTERS. The words appear along with the name of Breonna Taylor on the September issue of O, The Oprah Magazine. A beautiful portrait of the 26-year-old emergency room technician created by digital artist Alexis Franklin graces the cover. The magazine enlisted Franklin and...
“Distant Summer” by Kadir Nelson. | The New Yorker, July 6 and July 3, 2020 SHORTLY AFTER DELIVERING a sobering cover documenting the history of racial injustice, violence, and killing endured by Africa Americans throughout U.S. history, culminating with the murder of George Floyd, Kadir Nelson produced an homage to childhood summer joy. The...
MAINSTREAM INSTITUTIONS have responded in a variety of ways to the nationwide focus on race, racial justice, and policing. Time magazine’s reaction has been to pair its news coverage of the unfolding events with covers by African American artists. Charly Palmer is the latest tapped for the assignment. In the wake of protests following...
THE BANNER FLAG HANGING outside a window at the NAACP’s Fifth Avenue headquarters in New York City declaring “A Man Was Lynched Yesterday.” Emmett Till’s big bright eyes and round smiling face before he was lynched and found dead in a river in Money, Miss., at age 14. The textured scars on the back...
REPRESENTING THE SORROW of generations, Titus Kaphar painted a Black mother for the cover of Time magazine. Her eyes are closed in anguish. She holds her young son, but he is not there. The artist has cut the child from the canvas. All that remains is an empty silhouette. “In her expression, I see...
Trailer: “Get Out” (2017), Written and Directed by Jordan Peele. | Video by Universal Pictures ‘GET OUT’ was “a phenomenal piece of work,” artist Kerry James Marshall said. Kenya Barris, the television writer and producer, is drawn to the neon work “Double America 2” (2014) by Glenn Ligon. “The simplicity of it is radical...
TIME MAGAZINE is exploring the most influential women of the past century. 2020 marks 100 years since women gained the right to vote in the United States. To recognize the milestone that transformed women’s individual and collective agency, the magazine launched a project called 100 Women of the Year. Introducing the project, Nancy Gibbs,...
PICASSO’S “GUERNICA” (1937) is admired and respected by many artists, including Kerry James Marshall and Faith Ringgold. In 1980, Marshall’s first trip to New York—and first flight on an airplane—was made expressly to see the grand work on loan from Spain at the Museum of Modern Art (MoMA). Ringgold has described “Guernica” as her...
BLACK PEOPLE FLOATING leisurely in pools are among the most recognizable images Derrick Adams has made in recent years. The brightly colored scenes in his Floaters series usually feature an individual figure lounging on an inflatable floater. “Floater 49” (2017), a mixed-media collage work from his Floaters series appears on the fall 2019 cover...
EXPLORING THE INTERSECTION of reality, memory, and perception, Nathaniel Mary Quinn paints composite portraits that read as collage. In actuality, they are produced with oil paint, gouache, charcoal, oil stick, and pastels in his own hand. He has said his fragmented and visually layered portraits are based on the faces of people he...
From the New York Times video: Pool Party | Mickalene Thomas and Racquel Chevremont FOR THE PAST SEVERAL YEARS, Brooklyn-based Mickalene Thomas has decamped to a property in Salisbury, Conn., during “kids-away-from-school” time with Racquel Chevremont, her partner in work and life, and their three children. Purchased in 2013, Thomas calls the 19th century...
WORKS BY MORE THAN 60 ARTISTS, including Faith Ringgold, are featured in the international traveling exhibition “Soul of a Nation: Art in the Age of Black Power.” Nearly all the artists are Black, except Virginia Jaramillo, Andy Warhol (1928-1987), and Alice Neel (1900-1984), who contributed a portrait of Ringgold to the landmark exhibition. Rinngold...
THE INAUGURAL ISSUE of Ursula magazine begins and ends with depictions of African American women by black female artists. The cover features a collage image of Linda Goode Bryant by Lorna Simpson. A painting by Amy Sherald illustrates the back cover the magazine. Bryant is the pioneering founder of Just Above Midtown (JAM), the...
One of New York City’s “unusual characters.” | Photo by Clay Benskin for Time. Used with permission from the photographer TIME TAPPED Ava DuVernay to guest edit a special issue devoted to optimism and she delivered a magazine chock full of hope, promise and creativity. The award-winning writer/director/producer elected to explore optimism through the...
In her home study, Shonda Rhimes talks about Hughie Lee-Smith’s 1988 painting “Counterpoise.” ARCHITECTURAL DIGEST publishes photos of spectacular, light-filled homes. The magazine’s latest feature focuses on the Los Angeles residence of Shonda Rhimes, an Italianate villa she recently renovated where paintings by Hughie Lee-Smith (1915-1999) hang in the study and living room. “His...
Oct. 15, 2018: Writers gather at the Brooklyn Historical Society WATCHING “MOONLIGHT” in theaters across the nation, American audiences were reminded of the power of black male storytelling. The screenplay for the 2016 film was written by Barry Jenkins and adapted from a semi-autobiographical stage play by Tarell Alvin McCraney. The story follows the...
Eileen Harris Norton at home with works by Alma Thomas and Kara Walker. OVER THE FIREPLACE, an Alma Thomas (1891-1978) painting shares the mantel with a small sculpture by Kara Walker. Elsewhere in the home a Kerry James Marshall work hangs adjacent to a Glenn Ligon neon that reads “negro sunshine.” The November issue...