“You Deserve It Mama!!” (2017) by Aaron Fowler. ABOUT 20 IRONING BOARDS, a broom, family photographs, LED rope lights, a stuffed donkey, a stuffed dog sans the stuffing, and a tall pane of glass are among the myriad objects Aaron Fowler incorporated into a massive assemblage work called “You Deserve It Mama!!” The artist...
Charles White: A Retrospective. | Video by Art Institute of Chicago NEXT WEEK, THE LONG-AWAITED Charles White (1918-1979) retrospective opens at the Art Institute of Chicago. An artist, activist, and educator, Chicago-born White was a master draftsmen known for his powerful, realist images of African Americans. Featuring more than 80 paintings, drawings, and prints,...
“Benyam” (2018) by Jordan Casteel DENVER-BORN Jordan Casteel‘s hometown museum is hosting her first major museum show. “Jordan Casteel: Returning the Gaze,” an exhibition of nearly 30 paintings, opens at the Denver Art Museum (DAM) in February 2019. Recognized for her large-scale painted portraits of black men, Casteel lives and works in Harlem,...
WINOLD REISS, “Harlem Girl with Blanket,” circa 1925 FORTY WORKS BY A HARLEM LEGEND are on view in midtown Manhattan. “Winold Reiss Will Not Be Classified” at Hirschl & Adler gallery presents works spanning the German American artist’s four-decade career. Weinold Reiss (1886–1953) was variously considered an artist, designer, illustrator, architect, printmaker, and muralist....
JAMEA RICHMOND-EDWARDS, “Archetype of a 5 Star,” 2018 (acrylic, spray paint, glitter, ink and cut paper collage on canvas, 60 x 48 inches). | Courtesy of Kravets/Wehby Gallery and the artist AS A YOUNG GIRL, Jamea Richmond-Edwards got lost in the pages of Ebony magazine. She was particularly drawn to the runway images...
KERRY JAMES MARSHALL, Rythm Mastr, 1999-present. | Courtesy the artist and MCA Chicago EVERY TUESDAY FOR EIGHT WEEKS readers of the Pittsburgh Post-Gazette’s magazine were treated to a single illustrated panel from Kerry James Marshall’s Rythm Mastr comic series. This was nearly two decades ago, during the 1999/2000 Carnegie International when the artist first...
MAJOR EXHIBITIONS OF WORKS by Alma Thomas (1891-1978) have concentrated on her paintings, masterful abstract works that are defined by her attention to rhythm, pattern, and color. The Columbus Museum in Columbus, Ga., and the Chrysler Museum of Art in Norfolk, Va., have announced a forthcoming retrospective that will broadly explore her creative life—her...
The Carnegie Museum of Art in Pittsburgh is presenting the 2018 Carnegie International THIS FALL, THE CARNEGIE MUSEUM OF ART in Pittsburgh is presenting work by a compelling slate of artists from around the world. The artist list for the 57th edition of the Carnegie International was announced this week and the 32 artists...
EUROPEAN MUSEUMS ARE EXPOSING THEIR AUDIENCES to works by African Americans artists that reflect and respond to the history of race in United States. Two major exhibitions, “The Color Line: African American Artists and Segregation” at Le musée du quai Branly in Paris (2016), and “Soul of a Nation: Art in the Age of...
Alma Thomas with her work at the Whitney Museum of American Art. | Courtesy Archives of American Art LARGELY KNOWN AS A WASHINGTON, D.C,-BASED ARTIST who dedicated herself to her practice full-time late in life, Alma Thomas (1891-1978) is recognized for her abstract compositions, exuberant works defined by rhythmic pattern and vibrant color. The...
WASHINGTON, D.C. — Hanging half loose from its stretcher, a portrait of Thomas Jefferson reveals an image of a Black woman behind it. It’s a provocative juxtaposition that raises a question about the relationship between the two subjects. Her hair is covered while her partially shown shoulder and leg are bare. She is brown-skinned...
HENRY TAYLOR, “Ghanaian #3,” 2017 (acrylic on canvas, 15.75 x 11.75 x .75 inches, 40 x 29.8 x 1.9 centimeters). | © Henry Taylor, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo GLOBETROTTING OVER THE PAST YEAR, Henry Taylor spent time in Europe, Africa, and Cuba. All the while he was...
Lorna Simpson: In The Studio. | Video by Hauser & Wirth OVER THE PAST FIVE YEARS OR SO, Lorna Simpson has transformed her practice. An accomplished conceptual photographer, she is now a formidable painter, who is newly expressing herself through sculpture. Since the mid-1980s, Brooklyn-based Simpson has challenged conventional notions of gender, identity, history,...
MARK BRADFORD, Detail of “Moody Blues for Jack Whitten” (2018). WHEN JACK WHITTEN JOINED Hauser & Wirth in April 2016, the gallery’s roster claimed two of contemporary art’s most innovative abstract painters—Whitten (1939-2018) and Mark Bradford. A generation apart, while the African American artists have unique approaches to abstraction, both have largely dedicated their...
FAITH RINGGOLD, “American People Series #15: Hide Little Children,” 1966 THE EXPERIENCES OF AFRICAN AMERICAN ARTISTS and women artists half a century ago, their fight to make any kind of art they wanted and struggles to be recognized and have their work represented in mainstream institutions, has come to the fore in recent books...
Barbara Earl Thomas discusses her commissioned work “Caught in the Matrix” (2017). SAVANNAH, GA. — A luminesce installation glows and emits shadows at the far end of the gallery. The floor to the ceiling work is a series of paper-cut panels of Tyvek. Standing 14-feet high, from a distance it appears lantern-like. Up close,...
Jacob Lawrence, “The Card Game,” 1953 SAVANNAH, GA. — Sixty-five years ago, Jacob Lawrence (1917-2000) made a painting about a Harlem card game, depicting four nattily dressed card players in the midst of a hand. Left to the devices of a lesser artist, an image of black people engaged in a game of cards...
A LARGE-SCALE RETROSPECTIVE of works by Charles White (1918-1979) debuts this summer in Chicago and will travel to New York and Los Angeles, cities where the artist spent key periods of his life. The Museum of Modern Art (MoMA) announced the exhibition today. “Charles White: A Retrospective” is organized by MoMA, where it will...
AN ERA IN ART HISTORY is coming to an end in order to make way for the future. The Studio Museum in Harlem is closing for three years while a new building designed by architect David Adjaye is built at its current West 125th Street location. The groundbreaking is set for this fall and...
THIS SPRING, Jack Whitten is sharing a previously unknown aspect of his practice with the public for the first time. “Odyssey: Jack Whitten Sculpture, 1963-2016” opens at the Baltimore Museum of Art (BMA) on April 22, 2018. Co-organized with the Metropolitan Museum of Art in New York, the show will feature 40 sculptures Whitten...