WILL STOVALL, “Circus,” 2022 (oil on canvas, walnut frame, 15 1/4 x 26 3/4 inches / 38.7 x 67.9 cm). | © Will Stovall, Courtesy the artist and Ulrik On View presents images from noteworthy exhibitions FOR HIS FIRST-EVER solo exhibition, Will Stovall is presenting a series of intimately scaled paintings inspired by...
SYLVIA SNOWDEN, “Beverly Johnson,” 1978 (acrylic and oil pastel on Masonite, 121.9 x 243.8 cm). | © Sylvia Snowden. Courtesy Edel Assanti and Franklin Parrasch Gallery. Photo by Andy Keate On View presents images from noteworthy exhibitions WASHINGTON, D.C. ARTIST Sylvia Snowden (b. 1942) is presenting her first solo institutional exhibition in Europe....
Installation view of “Changing the Face of Democracy: Shirley Chisholm at 100,” Museum of the City of New York, New York, N.Y. (June 24, 2024-July 20, 2025). | Courtesy MCNY A POLITICAL TRAILBLAZER and historic Presidential candidate from New York, Shirley Chisholm (1924-2005) ‘changed the face of democracy,’ gave a voice to ordinary citizens,...
Installation view of “Ranti Bam: Anima,” James Cohan Gallery, 291 Grand Street, New York, N.Y. (May 17-July 26, 2024). | Photo by Phoebe Dheurle On View presents images from noteworthy exhibitions FOR HER FIRST EXHIBITION in New York, British Nigerian artist Ranti Bam (b. 1982) is presenting two bodies of sculptural ceramics: Abstract...
Ronald Moody working on “Johanaan,” 1963 (shown below). | © Val Wilmer. Photoby Val Wilmer AN EXPANSIVE LOOK at the work of Ronald Moody (1900-1984) opens this weekend at The Hepworth Wakefield in Wakefield, West Yorkshire, UK. Moody is one of Britain’s most highly regarded modernist sculptors. He spent time in Paris and was...
LUCY T. PETTWAY, (American, 1921–2004), “Birds in the Air,” 1981 (cotton and cotton-polyester blend). | High Museum of Art, Atlanta, Museum purchase and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017.70. © Estate of Lucy T. Pettway Opening Soon previews works from noteworthy, forthcoming exhibitions DRAWN FROM...
Installation view of “Ed Clark,” Turner Contemporary, Margate, Kent, UK (May 25–Sept. 1 2024). | © Courtesy Turner Contemporary, Photo by Thierry Bal AN ORIGINAL FIGURE in Post-War Abstraction, Ed Clark (1926-2019) is recognized for his innovation and experimentation. He made paintings distinguished by their energy, drama, and generous strokes of seductive color achieved...
ERNIE BARNES, “Evans Family Portrait,” 1974 (acrylic on canvas, 24 x 30 inches / 61 x 76.2 cm). | Courtesy the Ernie Barnes Estate, Ortuzar Projects and Andrew Kreps Gallery. © Ernie Barnes THE FIRST EXHIBITION of Ernie Barnes (1938-2009) at Ortuzar Projects in New York surveys the late artist’s key themes, including the...
JERRELL GIBBS, “My worst fear is one day that you come home from school and see your father face while hearin’ about tragedy on news,” 2024 (oil, oil stick on canvas, 60 x 95 inches / 152.4 x 241.3 cm). | © Jerrell Gibbs 2024. Image courtesy the artist and James Cohan Gallery, New York....
Installation view of “Arthur Simms: Chair with My Hair,” Kunst Museum St. Gallen, Switzerland, Feb. 10-July 7, 2024. Shown, from left, ARTHUR SIMMS, “Lucy Fradkin Meets John Delapa Or Gregor,” 1989-92 (rope, wood, glue, paint, metal and objects, 284 × 140 × 61 cm); “Mell,” 2003 (wood, rope, wire, wheels and plastic, 94 × 86...
MICKALENE THOMAS, “Afro Goddess Looking Forward,” 2015 (rhinestones, acrylic, and oil on wood panel). | © 2024 Mickalene Thomas ‘AFRO GODDESS Looking Forward’ by Mickalene Thomas (b. 1971) in many ways is representative of the artist’s practice. Both the title of the painting and its figurative image encapsulate the themes that have recurred throughout...
Installation view of DIEDRICK BRACKENS, “forks of the creek,” 2023 (cotton and acrylic yarn, 86 x 156 inches), “Diedrick Brackens: blood compass,” Jack Shainman Gallery, 46 Lafayette Street, New York, N.Y., 2024. | © Diedrick Brackens. Courtesy the artist and Jack Shainman Gallery, New York On View presents images from noteworthy exhibitions THE...
LATOYA RUBY FRAZIER, Sandra Gould Ford Wearing Her Work Jacket and Hard Hat in Her Meditation Room in Homewood, PA from On the Making of Steel Genesis: Sandra Gould Ford, 2017. | © 2023 LaToya Ruby Frazier, Courtesy the artist and Gladstone gallery BLENDING PHOTOGRAPHY AND ACTIVISM, LaToya Ruby Frazier’s singular practice is political,...
On View presents images from noteworthy exhibitions WILLIAM H. JOHNSON, “Sunset, Denmark,” circa 1935-38 (oil on canvas). | Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.818 A SURGE OF AFRICAN AMERICAN ARTISTS went to Paris in the 1920s and 30s and a second wave arrived in the post-World War II era....
On View presents images from noteworthy exhibitions Installation view of “Jean-Michel Basquiat: Made on Market Street,” 2024, Gagosian Beverly Hills. | Artwork © Estate of Jean-Michel Basquiat. Licensed by Artestar, New York. Photo by Jeff McLane, Courtesy Gagosian BORN IN BROOKLYN, N.Y., Jean-Michel Basquiat (1960-1988) found his footing in the New York art...
On View presents images from noteworthy exhibitions Installation view of “Otis Kwame Kye Quaicoe: Hall of Fame,” Roberts Projects, Los Angeles, Calif., 2024. | Courtesy the artist and Roberts Projects, Los Angeles. Photo by Paul Salveson THE POWERFUL PORTRAITS of Otis Kwame Kye Quaicoe (b. 1988) are exercises in symbolism, leaning on brilliant...
Installation view of “Zizipho Poswa: Indyebo yakwaNtu (Black Bounty),” Southern Guild, Los Angeles, Calif., 2024. | Courtesy Southern Guild On View presents images from noteworthy exhibitions GRACEFUL AND BOLD, the ceramic and bronze sculptures of South African artist Zizipho Poswa celebrate African womanhood. A testament to her matrilineal heritage, the works invoke contemporary...
FROM MANHATTAN to Brooklyn and Queens, art museums are presenting important exhibitions of African American artists this spring. At the Metropolitan Museum of Art, “The Harlem Renaissance and Transatlantic Modernism” offers a rare opportunity to see an array of works by prominent 20th century figures, including Aaron Douglas, Laura Wheeler Waring, William H. Johnson, Archibald...
MARY LOVELACE O’NEAL, “Won—By a Nose,” 2021-23 WON–BY A NOSE, 2021-2023 (acrylic and mixed media on canvas, 7 x 10 feet, Diptych 2). | Courtesy the artist and Marianne Boesky Gallery A SYMPHONY OF COLOR AND GESTURE, the abstract paintings of Mary Lovelace O’Neal (b. 1942) are personal and political, serious and joyful. The...
AMY SHERALD, “For love, and for country,” 2022 (oil on linen, 313 x 236.5 x 6.4 cm / 123 1/4 x 93 1/8 x 2 1/2 inches). | San Francisco Museum of Modern Art; © Amy Sherald; photo: Joseph Hyde, courtesy the artist and Hauser & Wirth THE FIRST MID-CAREER SURVEY of Amy Sherald...