Culture Talk: Ian Berry on New Alma Thomas Exhibition Catalog, an Encyclopedic View of the Singular Artist
ALMA THOMAS, “End of Autumn,” 1968 (acrylic and graphite on canvas). | Collection of Richard Grossman and Adam Sheffer; Courtesy Studio Museum in Harlem EXPLAINING HER CHOICE to focus on brightly hued abstract work, Alma Thomas (1891-1978) said in 1970: “Through color, I have sought to concentrate on beauty and happiness, rather than on...
Backstory: Nina Chanel Abney Revisits Her First Major Painting, ‘Class of 2007’
NINA CHANEL ABNEY, “Class of 2007,” 2007 (acrylic on canvas). ONE OF THE MOST STRIKING PAINTINGS in the exhibition “30 Americans” is by Nina Chanel Abney. It’s a compelling work, depicting her MFA class at Parsons School of Design in New York. The artist envisions herself as a bespectacled, gun-toting blonde; Her classmates don...
Culture Talk: New Orleans Gallery Owner Stella Jones on 20 Years in the Art Business
Gallery owner Stella Jones with “Haiti Demain,” 1987 (mixed-media collage on canvas) by Lois Mailou Jones. | Photo by Victoria L. Valentine NEW ORLEANS — FOR TWO DECADES, the Central Business District in New Orleans has been home to Stella Jones Gallery. It’s the namesake of a physician, who turned her passion for collecting...
Culture Talk: Curator Lauren Haynes on Bringing the Colorful, Abstract Paintings of Alma Thomas to Harlem’s Studio Museum
ALMA THOMAS, “Snoopy Sees Earth Wrapped in Sunset,” 1970 (acrylic on canvas). | Smithsonian American Art Museum, Gift of the artist; Courtesy Studio Museum in Harlem AT A TIME WHEN MOST ARTISTS are in the sunset of their careers, Alma Thomas (1891-1978) was on the rise. Recognized for her expressive abstract paintings, her exuberant use...
Culture Talk: Curator Adrienne Edwards on Her New Exhibition ‘Blackness in Abstraction’
PACE GALLERY IS PRESENTING a few of Adrienne Edwards’s “favorite things.” It’s how the curator describes works by black contemporary artists about whom she writes and has a social and intellectual connection, and modern standouts with whom she has been “obsessed” over the course of her academic and professional career. A veteran curator at Performa...
Culture Talk: Courtney Willis Blair on Ryan Lee Gallery’s Representation of Emma Amos
At Ryan Lee Gallery, EMMA AMOS, “Seated Figure and Nude,” 1966 (oil on canvas). | Photo by Victoria L. Valentine AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery artists. Blending figuration and...
Culture Talk: Franklin Sirmans on Leading the Pérez Art Museum in Miami
SIX WEEKS INTO HIS TENURE as director of the Pérez Art Museum Miami (PAMM), Franklin Sirmans is adapting to his new role at the museum and new expectations for Art Basel Miami Beach. Previously, as department head and curator of contemporary art at the Los Angeles County Museum of Art (LACMA), he could duck...
Culture Talk: Lauren Haynes on ‘Speaking of People: Ebony, Jet and Contemporary Art’
A NEW EXHIBITION AT THE STUDIO MUSEUM in Harlem was inspired by the pluck of a young Chicago entrepreneur. When positive images of black people were absent from America’s most popular household magazines, John H. Johnson started his own. Fixtures on the coffee tables of countless black families across the country, Ebony and Jet served...
Culture Talk: Amalia Amaki on Collector Richard A. Long
BEFORE SETTLING IN ATLANTA in 1968, Richard A. Long (1927-2013) visited Alain Locke’s home and viewed his art collection, sat for portraits in Paris with Beauford Delaney and directed the College Museum at Hampton Institute. In Atlanta, where he essentially became dean of the black arts community, Long founded the African American Studies program...
Culture Talk: Bruce Talamon on Photographing David Hammons
FOUR DECADES AGO, WHILE DAVID HAMMONS was working in his Los Angeles studio making body prints and assemblages, and developing ideas for installations and performances, Bruce W. Talamon was nearby photographing every moment. He says the two met in 1974, shortly before the artist moved to New York. Hammons had already gained some recognition....
Culture Talk: Duke Professor Richard J. Powell on Archibald Motley
THE NASHER MUSEUM OF ART at Duke University is infused with Chicago jazz and Paris blues. Since January 19, the museum has been exhibiting 45 paintings by Chicago artist Archibald J. Motley Jr. (1891-1981). “Archibald Motley: Jazz Age Modernist” presents a rare opportunity to experience the work of one of the 20th century’s most...
Culture Talk: Swann’s Nigel Freeman on Early African American Art
THE AFRICAN AMERICAN ART MARKET experienced a sea change seven years ago when Swann Auction Galleries began dedicating sales to African American fine art. Few auction records existed for African American artists at the time. Most sales were handled privately by galleries and dealers, making values hard to discern because prices were not disclosed to...
Culture Talk: Lorna Simpson on Capturing the Cast of ’12 Years a Slave’ for W Magazine
RACE, IDENTITY, MEMORY AND HISTORY figure prominently in Lorna Simpson‘s practice, making her a natural choice for W magazine which reached out to the photographer to capture the cast of the Oscar-nominated “12 Years a Slave.” Even before it debuted in theaters, major buzz surrounded British artist and filmmaker Steve McQueen’s film. Critics and historians...
