MAJOR PAINTINGS by Norman Lewis, Sam Gilliam, Charles Alston, Edward Bannister, and Romare Bearden are among the auction highlights at Bonhams in New York this week. The premium works by key figures of 19th and 20th century African American art represent the legacy of a family and a longstanding Black-owned gallery. Featured in the...
A VISUAL REVELATION, “Afro-Atlantic Histories” presents a sweeping account of the African Diaspora. The exhibition explores the “historical experiences and cultural formations” of Black people of African descent, across five centuries dating from the 17th century to the present. More than 130 works of art by artists from Africa, Europe, the Caribbean, and the...
‘TONI MORRISON’S BLACK BOOK,’ the latest exhibition curated by Hilton Als at David Zwirner Gallery in New York, is a love letter to the renowned author and editor. “I wanted to not only do this homage to her, but I wanted to talk about visual culture through the lens of “The Black Book” and...
AS THE GLOBAL ART MARKET, historically centered around Europe and North America, increasingly recognizes the contributions of artists in Asia, Africa, the Middle East, and Latin America, a new art fair is showcasing a region that remains woefully under-appreciated—the Caribbean and Atlantic Islands. The Atlantic World Art Fair debuted online May 31 and is...
THE ART INSTITUTE OF CHICAGO announced last week that Denise Gardner was elected chairperson of the Art Institute of Chicago Board of Trustees. She will be the first woman and first African American to chair the board, which serves as the governing body of both the School of the Art Institute of Chicago (SAIC)...
IN THE LATE 1960s, David Hammons adapted an inventive method for creating monoprints, using grease, pigment, and his own body to make the impressions. He was living and working in Los Angeles at the time. Over the span of a decade, Hammons produced a spectrum of body prints, combining the process with silkscreening and...
Trailer for “Black Art: In the Absence of Light.” | Video by HBO THE OPENING SCENE OF Sam Pollard‘s documentary “Black Art: In the Absence of Light” is half-century-old footage of NBC’s Tom Brokaw talking with David C. Driskell (1931-2020) on the Today Show. The interview is about Driskell’s seminal exhibition “Two Centuries of...
“PRIVATE DANCER” (2020) by Nikita Gale THE FIRST SOLO MUSEUM EXHIBITION of Nikita Gale is an abstract sculptural installation at the California African American Museum (CAAM) in Los Angeles. Composed of theatrical trusses and lighting, the work pays homage to Tina Turner’s 1984 album “Private Dancer.” Gale has invoked Turner for six years and...
THE ARRAY OF IMAGES Frank Stewart has made over the course of his career is dizzying. He’s photographed African American culture in its many forms—art, food, dance, and music, jazz in particular. He’s made portraits of artists, shot barbecue in the South and Midwest, and captured the aftermath of Hurricane Katrina. He photographed a...
SINCE 1999, PAMELA J. JOYNER and Alfred J. Giuffrida have focused their collecting on abstract art by artists of African descent. Nearing 100 artists, the collection is documented in a hefty volume, “Four Generations: The Joyner / Giuffrida Collection of Abstract Art,” and a traveling exhibition. After touring four museums, “Solidary & Solitary: The...
A NEW ACQUISITION has enriched both the Art Gallery of Ontario (AGO) and the communities it serves. Presented with the opportunity to help the Toronto museum acquire more than 3,500 historic photographs, members of the local black and Caribbean communities stepped up, helping to raise $300,000. The largesse of 27 donors made possible the...
Curator Zoé Whitley THE BRITISH PAVILION at the 58th Venice Biennale features a new body of work by Irish artist Cathy Wilkes. Conceptual and figurative sculptures, a spare selection of household objects, and abstracted landscape paintings are installed in a series of six pristine galleries flooded with natural light. She’s created narrative moments and...
“Yellow Turtleneck” (2018) by Amoako Boafo AFTER MOVING TO VIENNA, Amoako Boafo began a new portrait series. The work grew less out of inspiration and more out of motivation. Ghanaian-born Boafo found the Austrian capital generally unreceptive to black people and the art scene was just as challenging. The portrait series served as...
“Blood (Donald Formey),” 1975 by Barkley L. Hendricks “I’m most concerned about Barkley’s legacy now that he’s gone. I want more and more people to understand what all the hoopla’s about. He was a master painter and this is one of his greatest works.” — Collector Kenneth Montague IF YOU VISIT the Brooklyn...
Collector and Philanthropist Pamela J. Joyner THE J. PAUL GETTY TRUST announced the addition of Pamela J. Joyner to its board of trustees in February 2017. The influential philanthropist and art collector accepted the opportunity for one reason. She was intrigued by the possibilities of an ambitious idea the Getty Research Institute (GRI) was...
Artist Betye Saar, 1970 THE J. PAUL GETTY TRUST dedicated resources to “recover the historical record of art in Southern California” in 2002. Nearly a decade later, the endeavor led to Pacific Standard Time, a region-wide collaboration with more than 60 institutions that resulted in a sweeping series of exhibitions, programs and publications exploring...
Portrait of Alma Thomas painted by Laura Wheeler Waring (1947). | Smithsonian American Art Museum RESEARCH IS ONGOING for a forthcoming exhibition dedicated to the life and work of Alma Thomas (1891-1978), the accomplished and technically rigorous abstract painter who was the first African American woman to have a solo exhibition at the Whitney...
AMONG THE HALLMARKS of Arnold Lehman’s nearly two-decade tenure as director of the Brooklyn Museum was his focus on community engagement, popular culture, and the visibility of African American artists. After retiring in 2015, he transitioned from the museum world to the auction world, joining Phillips as a special adviser to the CEO, Edward...
Kellie Jones, author of “South of Pico.” A DECADE AGO, Kellie Jones set out to write a book about African American artists in Los Angeles. The focus of her research was the 1960s and ’70s, a period when artists in the city were experimenting with materials and form, and mixing art with activism. Shortly...
HURVIN ANDERSON, “Rootstock,” 2016 (acrylic and oil on canvas). | Courtesy Michael Werner Gallery MORE THAN A DECADE AGO, Hurvin Anderson was staying at a hotel in Montego Bay when he spotted some kids climbing a mango tree through the window. The image brought back vivid memories. The youngest of eight children, all of...