SINCE LAST FALL, month after month has been punctuated by encounters with photographer Carrie Mae Weems. Not literally, but at every turn it seems another accomplishment or engagement, another confirmation of the importance of her practice, has come to my attention, which is wonderful. Throughout her more than 30-year career, Weems has been critically...
EARLIER THIS YEAR, LUHRING AUGUSTINE announced the addition of Jason Moran to its roster. Why would a jazz pianist and composer join a tony New York art gallery? Moran was appointed artistic director for jazz at the John F. Kennedy Center for the Performing Arts in May 2014. He teaches at the New England...
DEBORAH GRANT GIVES A GOOD INTERVIEW. She is candid and forthcoming about her journey as an artist as well as her views of the art world’s racial fault lines. Born in Toronto, she lives and works in New York, where her exhibition, “Christ You Know it Ain’t Easy,” was on view earlier this year at...
SQUIGGLY LINES PUNCTUATED WITH BRIGHT EYES adorn the window of interior designer Kelly Wearstler’s flagship boutique on Melrose Avenue in Los Angeles. Executed with a thick, black marker, the drawing style looks familiar, Keith Haring-esque perhaps, but it is all Shantell Martin, bursting with whimsy, wonder and hipster cool. The British-born artist is collaborating...
The Broad brought Kara Walker and Ava DuVernay together for a conversation on Oct. 11, 2014, in Beverly Hills. HOUSING THE EXPANSIVE Eli and Edythe Broad collection of post-war and contemporary art, The Broad museum will open its doors in downtown Los Angeles next year. In the lead up to its debut, the museum...
FOR MORE THAN A DECADE, Kehinde Wiley has been painting regal portraits of men of color. First focusing on young African American men in Harlem, Wiley eventually expanded his oeuvre and launched his World Stage series featuring “urban” men in Asia, Africa, Latin America and the Middle East. His contemporary subjects replicate poses...
Lot 48: DAVID HAMMONS, “Moving to the Other Side,” 1969 (silkscreen on wove paper). Estimate $100,000-$150,000. Sold for $112,000 (including fees) WHEN PHILLIPS CONTEMPORARY ART AUCTION gets underway tomorrow morning, a central highlight of the show will be an early work on paper by David Hammons (b. 1943). “Moving to the Other Side,” one...
JUXTAPOSITION CAN BE INCREDIBLY ILLUMINATING. Earlier this year, Kara Walker collaborated with Bernardaud and LizWorks to create a limited-edition porcelain pitcher and this week the New York Times asked J. Crew Creative Director Jenna Lyons and singer-songwriter Courtney Love what they thought about it. In a new feature called “Take Two: A Dual Review...
SONYA CLARK STIRS HISTORY and explores cultural meaning using human hair and all of its heavy and joyous symbolism. The artist describes hair as power, the essence of identity and a marker of chronology, wisdom and adornment. Her “Black Hair Flag” is currently on view in the “Posing Beauty in African American Culture” exhibition...
PORTER MAGAZINE, A NEW PRINT PUBLICATION produced by Net-a-Porter, the online luxury retailer, mostly covers fashion, but also devotes a fair amount of editorial to art and culture. Its summer edition features a brief interview with Julie Mehretu (above, right-hand page) about Africa’s emerging presence in the contemporary art world. The Ethiopian-born, Michigan-reared, New...
IN AN INFORMATIVE AND INSIGHTFUL new profile of Oscar Murillo, New York magazine likens the 28-year-old artist’s meteoric rise to the current state of the contemporary art world. A few years ago, the black Colombian-born artist was doing janitorial work in the UK where he earned a master’s degree at the Royal College of...
RACE, IDENTITY, MEMORY AND HISTORY figure prominently in Lorna Simpson‘s practice, making her a natural choice for W magazine which reached out to the photographer to capture the cast of the Oscar-nominated “12 Years a Slave.” Even before it debuted in theaters, major buzz surrounded British artist and filmmaker Steve McQueen’s film. Critics and historians...