“Mother and Son” by Devin Allen While museums and galleries are temporarily closed due to the COVID-19 virus, On View will continue to showcase images from noteworthy exhibitions DOCUMENTING THE UPRISING that spilled into the streets of Baltimore in the wake of the death of Freddie Gray while he was in police custody,...
AFTER JOINING A CHORUS of museums around the world that closed temporarily in mid-March to contain the spread of COVID-19, the Tate in London announced its reopening plans. All four Tate galleries are opening to the public July 27. The pause in operations resulted in a shift in exhibition schedules and six-month delays for...
MAINSTREAM INSTITUTIONS have responded in a variety of ways to the nationwide focus on race, racial justice, and policing. Time magazine’s reaction has been to pair its news coverage of the unfolding events with covers by African American artists. Charly Palmer is the latest tapped for the assignment. In the wake of protests following...
“Abidjan Children” (1972 / 2003) by Ming Smith While museums and galleries are temporarily closed due to the COVID-19 virus, On View will continue to showcase images from noteworthy exhibitions A PIONEERING AMERICAN PHOTOGRAPHER, Ming Smith is known for her experimental techniques. Her painterly and artfully blurred images are achieved with slow shutter...
ARTISTS AND GALLERIES have been donating portions of art sales, participating in charitable auctions, and producing special limited-editions to benefit artists and a variety of nonprofits since late March. The efforts began to take root in response to economic and opportunity challenges that arose due to COVID-19 shutdowns and were amplified in late May...
A COLLECTIVE OF 80 BLACK PHOTOGRAPHERS has come together to rally for change. See in Black was formed in response to the latest police killings and calls for racial justice. The group is harnessing its talent and resources to center Black visibility and invest in Black uplift. The photographers are selling prints for $100...
Sonia Gomes in her São Paulo studio, 2020. BLUM & POE and Pace Galleries have added Brazilian artist Sonia Gomes to their rosters. Gomes works with found and gifted fabrics, exploring the embedded meaning, histories, and social significance of the textiles. Issues of memory and identity are at the center of her practice. New...
Still from Arthur Jafa’s “Love is the Message, The Message is Death” (2016) A MEDLEY OF HISTORIC and contemporary footage, Arthur Jafa‘s “Love is the Message, The Message is Death” (2016) is an ode to the Black experience. The video installation is a rapid-pace montage of poignant images, both celebratory and heart-wrenching. Kanye West’s...
THE ARRAY OF IMAGES Frank Stewart has made over the course of his career is dizzying. He’s photographed African American culture in its many forms—art, food, dance, and music, jazz in particular. He’s made portraits of artists, shot barbecue in the South and Midwest, and captured the aftermath of Hurricane Katrina. He photographed a...
THE LATEST AFRICAN-AMERICAN FINE ART SALE at Swann Auction Galleries was five-and-a-half hours. There were 187 lots and the high point came early on when Lot 10, a cast bronze sculpture by Richmond Barthé (1901-1989) sold for more than half a million dollars. “Feral Benga” garnered sustained interest and was bid up to about...
“As He Watched Him Walk Away” (2020) by Toyin Ojih Odutola A NEW SERIES OF WORKS ON PAPER by Toyin Ojih Odutola explores her fascination with marrying images and text. The artist’s pursuit satiates the viewer’s natural inclination to spin narratives around her powerful and alluring portraits. This desire to imagine the lives and...
THE BANNER FLAG HANGING outside a window at the NAACP’s Fifth Avenue headquarters in New York City declaring “A Man Was Lynched Yesterday.” Emmett Till’s big bright eyes and round smiling face before he was lynched and found dead in a river in Money, Miss., at age 14. The textured scars on the back...
CBS Sunday Morning reports on “Lift Ev’ry Voice and Sing” TODAY IS FLAG DAY. CBS News marked the occasion with a report about “Lift Ev’ry Voice and Sing.” The James Weldon Johnson poem was set to music in 1899 by Johnson’s younger brother, the composer John Rosamond Johnson. Known as the Black National Anthem,...
CENTERED ON JOY AND LEISURE, “Derrick Adams: Buoyant” may seem out of step with the moment. Two months of quarantine and social distancing borne of a global pandemic dovetailed with a new wave of Black people murdered by police. Then a multiracial, intergenerational protest movement sprouted in response, calling for racial justice, police...
Collector Ronald Ollie (1951-2020) AN AVID COLLECTOR of African American art and generous museum patron, Ronald Ollie (1951-2020) has died. He passed away at his home in Newark, N.J., on June 1. He was 69. His wife Monique McRipley Ollie confirmed his death to Culture Type. She told me via email, “I think his...
While museums and galleries are temporarily closed due to the COVID-19 virus, On View will continue to showcase images from noteworthy exhibitions UTA ARTIST SPACE in Los Angeles is presenting a virtual exhibition curated by Myrtis Bedolla, founder of Galerie Myrtis, a black-owned art gallery in Baltimore. A selection of largely figurative works...
A MUST READ FOR THE MOMENT, historian Ibram X. Kendi published “How to Be an Antiracist” last summer. Jeffrey C. Stewart, a museum veteran and biographer of Alain Locke, reviewed the volume for The New York Times. Stewart called it a “stunner of a book” and a “manual of racial ethics.” “How to Be...
FOR MORE THAN A DOZEN DAYS NOW, people have been marching—flooding the streets, declaring “Black Lives Matter” and “I Can’t Breathe” on signs and t-shirts, and raising their voices demanding change. In the wake of the police killing of George Floyd in Minneapolis and Breonna Taylor in Louisville, Ky., and countless others, protestors are...
REPRESENTING THE SORROW of generations, Titus Kaphar painted a Black mother for the cover of Time magazine. Her eyes are closed in anguish. She holds her young son, but he is not there. The artist has cut the child from the canvas. All that remains is an empty silhouette. “In her expression, I see...
PATTERNED BLUE WALLPAPER defines the room. Standing in profile in front of a mirrored vanity table, an expectant mother turns her head toward the viewer. She smiles and proudly rests her hand on her growing belly. Documenting the moment, the mirror reflects her image. Other works depict a little girl standing mischievously in a...